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George More O'Ferrall has assembled a really strong cast for his adaptation of Wynyard Browne's emotionally rich play. It all centres around a Christmas family gathering at the home of "Rev. Martin" (Ralph Richardson). As with every such get-together, it becomes a little fraught as his children "Jenny" (Celia Johnson), "Margaret" (Margaret Leighton) and "Michael" (Denholm Elliott) congregate and their not immediately cogent personalities soon start to show through their veneer of politeness. Thing is, they are all still trying to deal with the psychological impact left upon them - and their extended family - following the horrors of the Second World War. To be honest, it can border on the melodramatic at times and it also struggles a bit when Richardson is off screen, but somehow as it advances this story starts to glow a little. The characters have a certain degree of truthfulness as they develop - and made in 1952, many of the supposed scenarios being recalled and dealt with by all concerned do ring true somewhat. There are a tightly knit series of domestic scenarios here that allow each to offer us a glimpse of their childhood resentments, aspirations, dreams, frustrations and loves - Johnson being especially effective as the daughter who is in love with "Paterson" (a slightly static John Gregson) but remains committed to stay at home and "look after" their father - whether he wants her to or not! It has a degree of nostalgia to it, but not in an overly sentimental fashion. They reminisce, as we would have been invited to do at the time, but there is still enough contemporary joy from this Christmas together to offer glimmers of light and hope at a conclusion that probably resonated well with a new reign in the UK at the time. It's short, hardly eighty minutes, and does pack in plenty of characterful performances and offers us just a little food for thought too.
Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life.
An alien and a robot land on Earth after World War II and tell mankind to be peaceful or face destruction.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
Summer of 1960. A detachment of exploration geologists is working in the steppe region, and among them is Alyoshka, a guy who, before entering the geological exploration institute, decided to walk with geologists. Unskillful and messy in everyday life, he becomes the object of their jokes and practical jokes, which are not always harmless. However, his persistent character, his timid and pure love for the switchwoman Zinka, who lives with her grandfather on a crossing lost in the steppe, makes the guys from the squad take a different look at this inconspicuous guy and at his relationship with each other.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
