Atomic Rooster: The Ultimate Anthology

A retrospective about The Who's third studio album 'The Who Sell Out'. Including interviews with Who members Roger Daltrey and Pete Townsend alongside other people involved in the albums production.

Join Heart, the revolutionary rock band fronted by sisters Ann and Nancy Wilson, as they bring passion and energy to an explosive 23-song set that touches on every era of their awe-inspiring career - from Dreamboat Annie's "Magic Man" and "Crazy On You" to the 80's hits "These Dreams" Heart's most recent studio album, Jupiter Darling, plus rare covers of Led Zeppelin's "Misty Mountain Hop" and Elton John's "Love Song."

A look back at the life and career of Japanese guitarist hide, who died under questionable circumstances in 1998.

Swedish metal band The Order Of Israfel perform a selection of songs off their first album 'Wisdom' at the Sweden Rock Festival on June 3rd, 2015.

In 2003, British glam rockers The Darkness took the world by storm with their smash hit single "I Believe in a Thing Called Love". Then at the height of their fame, the band split up and fell into obscurity. 20 years on from their platinum-selling debut, Justin Hawkins, his brother Dan, eccentric bassist Frankie Poullain, and new drummer Rufus Taylor tell their story.

Setlist: 01. Intro 02. Livin' On A Prayer 03. You Give Love A Bad Name 04. Wild In The Streets 05. Keep The Faith 06. Blood On Blood 07. Always 08. I'd Die For You 09. Blaze Of Glory 10. Runaway 11. Dry County 12. Lay Your Hands On Me 13. I'll Sleep When I'm Dead ~ Jumpin' Jack Flash ~ Papa Was A Rolling Stone 14. Bad Medicine ~ Shout Encore 1: 15. Bed Of Roses 16. Hey God 17. Rockin' All Over The World (w/ Steven Van Zandt) Encore 2: 18. Richie Acoustic Guitar Solo 19. Wanted Dead Or Alive 20. Someday I'll Be Saturday Night (w/ Steven Van Zandt) 21. Jon asking audience what to play 22. Good Guys Don't Always Wear White 23. This Ain't A Love Song

Documentary tracing the existence of noted rock band Pavement from 1989 to their final performance in late 1999.

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.

Over a decade in the making, Swagger of Thieves follows rock band Head Like a Hole from the top of the charts to the bottom of a needle. Staring down their age, two pals and the main guts of HLAH, frontman Nigel Booga Beazley and 'co- conspirator' Nigel Regan strut the hard road out of hell, fighting to reconnect and return their band to past glory, amidst disgruntled band mates, a changed music industry, and disappointed wives. Struggling to place past addictions and sabotaged dreams behind them in their continuing quest for rock music relevance, the ever-collapsing binary stars of any Head Like a Hole lineup, are certain (not) to polish their legacy here. Swagger of Thieves captures what it means to be in a band with a reputation. Unrelentingly raw, wild and honest, to the point of being one of the most insightful music documentaries ever made. Essential viewing. New Zealand International Film Festival (NZIFF), Melbourne International Documentary Film Festival (MIDFF)

The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.