Cruise Collection 15: Who's my Daddy

After childhood abuse by her step-father and eight years in a juvenile psychiatric lockup, Amanda Lear is released. Her shrink is also her lover, who surreptitiously pays her rent on a nice house for a year. She moves in, takes one look at her neighbor Richard, and dispatches her doctor. To cover her tracks and to begin her seduction, she gets Richard's help with a security system. Soon she's bugging his calls and spying on him with hidden cameras, taking advantage of a rift between Richard and his wife who's in Nashville cutting a record. Amanda will stop at nothing to get Richard's exclusive attention. Will this good neighbor wise up before the hot tub overheats?

A mysterious visitor spends the night at an apartment belonging to a young engaged couple and their friend. Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.

Four young modern women in college set out to explore all that life has to give with various new relationships and to study the ones they have been exposed to in their past.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

Classmates Steve and George are part of a frightening food chain. For Steve, high school is a game. Seducing his classmates gives him his sense of purpose and fuels his art and poetry. When Steve sets his sights on the school star athlete, he starts a cat and mouse chase which could ruin him and his idol. George, the school recluse, copes with the stress of his mother's cancer and strained relationship with his father by cutting class and using drugs. Hooking up with a stranger in an effort to lose himself, George finds himself in a life or death situation. At odds with each other, George and Steve have more in common than they realize. As their paths spiral downward, they could save each other - or continue on their way to self-destruction.

When Danielle decides to do a story on the life of a sex worker to please her boss and lover Peter, she meets Gage a professional gigolo. She quickly becomes interested in his work and starts to see a change in herself and her life.

When his hard-earned kicks get snatched by a local hood, fifteen-year old Brandon and his two best friends go on an ill-advised mission across the Bay Area to retrieve the stolen sneakers.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.

Alessia returns from the convent where she was educated to the farm where she spent her childhood. As she arrives, she starts to remember the crime that made her an orphan. The animosity she feels towards her aunt starts to get explained. Aunt Agnes was responsible for the crime, so she could get the land. Alessia starts to use her sexuality to manipulate the men around her and set a trap for her aunt as revenge.

The dark comedy Fish'n Chicks, is the story of two close friends who embark on a fishing excursion. During the course of the day the two young men brag about their past sexual exploits, but a surprise revelation forces them to re-evaluate their friendship. George (MIKE DUFAYS) is a boisterous, irreverent young man with a penchant for the abrasive, who organizes a "guys-day-out" with his friend, all the while pursuing a secret agenda. Arnold (MARK TYLER) is George's equally foul-mouthed friend who often demonstrates a somewhat conscientious nature when sharing anecdotes relating to his sexual escapades. Through a series of flash-backs, we learn more about the characters but, in the surprise ending, we realize that not all is what it seems. Fish'n Chicks is an edgy rendition of the mystery which is male bonding and a glimpse into the lengths some are willing to go to in order to mend a broken ego.