The Fleshtones: Pardon Us for Living But the Graveyard Is Full

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.

This feature length documentary tells the story of 1970's punk band The Gears - in their own words.

Achim Bornhak's movie focuses on the restless life of Uschi Obermaier, the icon of the 1968 movement in Germany and groupie. At the age of 16, Uschi is bored by her job in a photo lab, but soon becomes the "it girl" of Munich's club scene. When she gets to know Rainer Langhans, they move to Berlin and live in "Kommune 1", the first politically-motivated commune in Germany. While the other occupants claim she isn't political enough, Uschi just wants to have fun, works as fashion model and leads international music stars in temptation.

A story of five Finnish youth growing up during the devastating '90s recession. They live in the small timber industrial town of Heinola. As the parents of these young teens struggle through hard economic times, the five very different youths meet by coincidence to form the punk band Apulanta.

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.

Pablo Olivares is a lively and talented child born into a Christian family. His mother, Carmen, devotes her time to teach him biblical principles and cultivates in him a love for music. His father, Roberto, spends most of his time working, which keeps him busy and distant from Pablo's life. Because of his father's emotional absence, Pablo gets involved with friends who introduce him to the world of rock n' roll, and becomes captivated by occultism. His musical talents are evident, and even though Carmen believes in him, rock is something that she will not condone. The pain caused by his father's absence and his mother's rejection of his dreams, incite in this young man a hate which he slowly directs towards Carmen and the religion she professes. Driven by his ambitions of success, Pablo makes a pact with the devil. Carmen does everything she can to re-establish her relationship with her son, and faithful to her beliefs, she prays earnestly for him for more than fourteen years.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.