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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
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Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
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There are times when this drama quite effectively illustrates the claustrophobic nature of life aboard the International Space station that is jointly manned by American and Russian scientists. The arrival of "Foster" (Ariana DeBose) brings the tally to three from each nation but very shortly afterwards it's apparent that things on Earth are no-good. What look like volcanic eruptions are occurring all over the place followed by complete radio silence. Well, almost complete. The Americans are given an order that they must assume their counterparts have been given too. What now ensues is a really mediocre sci-fi thriller that tries far too hard to manufacture tension from a misfiring cast and some serious over-scripting. DeBose does enough I suppose, but Chris Messina is his usual wooden self (even if there is a scene that just made me think of that famous line from Brian Blessed). The visual effects do enough but the characterisations are shallow and the plausibility of the entire scenario is dubious. Essentially two warring tribes cohabiting the same space-borne igloo. The denouement doesn't really make a great deal of sense, but I suppose it does ask us to test the relative merits of human nature and decency against the demands of national loyalty - especially when the benefits of either are ambiguous at best. It's not terrible, but I've seen better episodes of "Space 1999".
It's good. Coulda been better, but still good. 'I.S.S.' gave me enough. I do think it could've been paced better and had a bit more intrigue put in there, though what's produced is satisfying. The titular set looks nice and the zero gravity comes across as convincing, while the sound design et al. is all positive. For me, the cast are very solid. It perhaps could've done with a true star performer as no-one stands far and above their co-stars. Ariana DeBose is more than solid, she is the best of those onscreen; albeit narrowly so. Masha Mashkova and Pilou Asbæk are decent, as also are Chris Messina and Costa Ronin. Nothing spectacular evidently, though this release is a perfectly watchable sci-fi flick. I'd recommend it.
It’s unfortunate that a good premise can’t be saved from poor execution, but such is the case with this undercooked sci-fi thriller. When three Americans and three Russians aboard the International Space Station are stranded there when war breaks out between the two countries on Earth, the previously congenial crewmates turn against one another when the two teams of astronauts each receive orders to take control of the facility at any cost. The question in this, of course, is why? As a scientific research center, what material value would there be in taking charge of a remote space-based facility to the Earth-bound survivors of a war-ravaged planet? While the reasoning behind this is eventually explained, its revelation is delayed, leaving viewers with a drawn-out mystery that doesn’t make much apparent sense, especially when taking control calls for a team of intelligent, convivial, supposedly mature scientists to instantaneously turn into murderous territorial thugs. And, even when the big reveal is finally made, it seems like it’s hardly justification enough for this kind of behavior from a group of individuals who are allegedly more psychologically evolved and have supposedly risen above the infantile geopolitical bickering of their counterparts on terra firma. That’s particularly true in light of the many (and I do mean many) references to the crew’s “enlightened” outlook and assumed solidarity, qualities that are repeatedly browbeaten into viewers in the film’s opening act. The fault here lies with a rather lame narrative and a screenplay that doesn’t do much to overcome that failing. The special effects are also somewhat underwhelming for a sci-fi offering, one in which the filmmakers could have done considerably more to make the picture more visually engaging. Sadly, director Gabriela Cowperthwaite, perhaps best known for the superb documentary “Blackfish” (2013), is in over her head with this release, a project that really could have used a more skillful hand in making it the kind of edge-of-your-seat thriller that it deserved to be. Instead, audiences are left with a mediocre sci-fi tale that feels more like something one would find on the SyFy Channel or some other B-grade cable network. You won’t miss much by skipping this one.
I loved this movie and gave it a 8/10 for accomplishing many things for me: - totally believable that this was filmed in space on the I.S.S. - mostly believable characters but I'd change some perfection on the set - I'll never get the moment out of my mind about first seeing a "volcano" from space - it ended appropriately, as it's difficult to find a "perfect ending" - so much introspective that all humans have the capability of doing ruthless things - Sci-Fi totally believable thriller from start to end. (8/10) P.S. If you liked this, you'd also probably like High Life (Mia Goth).
Astronauts land on a planet with prehistoric creatures and a war between a human-like tribe and a race of vampires.
A conspiratorial and reclusive young man believes he is being watched by aliens after experiencing a series of strange dreams and mysterious noises coming from the radio on his office.
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
A compilation of Battlestar Galactica episodes 10–12 and 21, with alternate footage. Running low on fuel, the Battlestar Galactica receives the help of the supposedly lost Battlestar Pegasus which is taking the offensive with the Cylons.
This is the story about how Dubus, Lafiels father, and Plakia after an adventure on a mysterious, abandoned spaceship decided to have a daughter together and why Dubus gave her the name Lafiel.
A couple vacationing in Morocco with their young son accidentally stumble upon an assassination plot. When the child is kidnapped to ensure their silence, they have to take matters into their own hands to save him.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.