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When I come across a film that’s the cinematic equivalent of witnessing the emperor’s nakedness, I feel compelled to shout it from the rooftops, something I would readily do with regard to this latest comedy-drama from director Kelly Reichardt. This plodding, insular, minimalist, frequently inscrutable offering tells the “story” (if it can even be called that) of a Portland ceramic sculpture artist (Michelle Williams) struggling to create her works for an upcoming gallery show when faced with the distracting burdens of mundane domestic crises and incendiary but largely unexplained family issues. However, little happens here, and the narrative is more of a showcase for the movie’s artwork than a vehicle with a definable plot, a problem further enhanced by a lack of any meaningful back story and solid character development (I guess that what they mean by “nuanced”). Indeed, one can tell when a release like this is truly in trouble when its most interesting and best defined characters are a housecat and an injured pigeon. The picture’s feeble attempts at humor nearly always fall flat, too, most of which are drier than dust (there’s subtle and then there’s inconsequential). It really troubles me when I see a seriously undercooked production like this undeservedly becoming widely acclaimed with over-inflated accolades. I’ve found this also to be the case with many of this filmmaker’s other works, but “Showing Up” represents a new low in her filmography. Not even the award-winning ensemble cast, with the likes of Williams, Hong Chau, Judd Hirsch, Amanda Plummer and Maryann Plunkett – the picture’s only noteworthy asset – can save this one from its own inherent failings. Experimental cinema is one thing, but unfocused, pointless, stream of consciousness filmmaking is something else entirely.
Try as I might,I just don't get Michelle Williams' style of rather moody and laconic delivery. She just always underwhelms me, and here is no different. This time she is "Lizzy" whose cat has an altercation with a pigeon which she chucks out of the door only for it to be rescued by her neighbour/landlord "Jo" (Hong Chau). Now she seems much more concerned about this rat with wings than she does with her lodger's frustrating lack of hot water. Anyway, pretty soon the pair are sharing the task of helping it recover the use of it's wing whilst "Lizzy" gets to grips with a forthcoming exhibition of her sculptures. That's the first ten minutes, thereafter we head down a more familiar dramatic route with a bit of a (quite entertaining) disaster then some family baggage to be dealt with along the way. For me, the undoubted star of this overlong and slightly repetitive story is the bird. It appears much more savvy of the unfolding narrative and appreciative of the path it was going to undoubtedly take than either of the lead actors. It's decently put together this, but the whole thing seems to lack much point or purpose. It suffers from a distinct lack of realism or relevance and though it's never boring, it is pretty humourless and has little memorable enough to merit recommending a cinema viewing.
The interlocking stories of two Lakota boys growing up on Pine Ridge Reservation. At 23, Bill just wants to make something of himself. Meanwhile, 12-year-old Matho can’t wait to become a man. Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood.
Ruby and Garnet are identical twins, ten years old and inseparable. Since mother's death they live with father and grandmother in the big city. When one day attractive Rose steps into father's life, Ruby and Garnet's whole life is turned upside down. They must leave their beloved granny and move to the countryside with father and that much hated "new one" because father wants to fulfill his most ardent dream to open a bookstore. The girls consider this to be quite terrible and try everything to be thrown out of the new school. But then everything goes quite different: Ruby discovers that identical twin girls are being looked for to star in a TV series. Suddenly, they notice that they are not as similar at all as they thought, and that each one must find her own way.
Charles Chinaski is a guy with many problems and feels responsible for most of them: women, alcohol, his hostility towards certain groups of people. One day, he decides to consult the first doctor he comes across.
It is not just a story of four remarkable blind teenagers who know each other in a world without light, but also the story of a mother who struggles to help her son to rediscover the joy of life and his world after claimed to be blind. In Special School, Jingga knows Marun, Nila, and Magenta. This three new friends show that they can be independent though lacking in vision. They form a music group and prepare a recording for a music competition.
Football star Charlie has the world at her feet. With a top club desperate to sign her, her future is seemingly mapped out. But the teenager sees only a nightmare. Raised as a boy, Charlie is torn between wanting to live up to her father's expectations and shedding this ill fitting skin.
A boy named Harley and his family attend a taping of The Banana Splits TV show, which is supposed to be a fun-filled birthday for young Harley and business as usual for Rebecca, the producer of the series. But things take an unexpected turn - and the body count quickly rises. Can Harley, his mom and their new pals safely escape?
Edith and Wolfgang have led a fairly harmonious family life for many years, together with their son Danilo. Edith has long since got over Wolfgang's infidelity twelve years ago, which resulted in a daughter. Every now and then he visits 12-year-old Sandra, simply fulfilling his fatherly duties. But suddenly the girl appears at the door.
A story of children who feel safer in the streets than at home, about children seeking out sturdy lifeboats that cross between the world of fantasy and the harsh reality of life. Jarka is one of these children. Ten years-old, and living with a mother who is not yet ready to be a mom, Jarka spends most of her time alone. Pushed by her desire for love and to form a fully functional family, she finds herself substituting a "mother" to two babies.
Set against the vibrant backdrop of New York City, a high-end matchmaker gets involved with a wealthy man but still harbors feelings for the broke actor-waiter she left behind.
Arthur Egeli directs this multifaceted romance set on the beaches of Cape Cod, the story of young painter Steven Buchanan (Pablo Bryant) and his interactions with three beautiful women vying to be his muse. There's Melissa (Isabelle Dahlin), the student who admires him; Theresa (Jessica Brytn Flannery), the model who inspires him; and Mary (Aleksandra Kaniak), the fellow artist who transforms him.
Following her mother's death, an 11-year-old indigenous Australian girl named Shay moves with her father and brother to Belgium. Shay finds that her grief is readily accepted in her new town, which still bears scars from World War I.
