National Theatre Archive: I Want My Hat Back

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

This musical adaptation of the Studs Terkel book examines the average worker's viewpoint-showing that he or she is anything but average. Based on a series of interviews with real working people-construction workers, waitresses, firemen, secretaries, and cleaning women, Working is both an exploration of the individuals' occupations and a lament for lost hopes and dreams.

People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

Academy Award nominee and Tony Award-winner John Lithgow (Dirty Rotten Scoundrels, Shrek, 3rd Rock from the Sun) takes the title role in Arthur Wing Pinero’s uproarious Victorian farce, directed by Olivier Award-winner Timothy Sheader (Crazy for You and Into the Woods, Regent’s Park Open Air Theatre, London). In a similar vein to the National Theatre’s smash-hit classic comedies, She Stoops to Conquer and London Assurance, The Magistrate is sure to have audiences doubled up with laughter. When amiable magistrate Posket (John Lithgow) marries Agatha (Olivier Award-winner Nancy Carroll, After the Dance), little does he realise she’s dropped five years from her age – and her son’s. When her deception looks set to be revealed, it sparks a series of hilarious indignities and outrageous mishaps.

Filmed stage production of Molière's comedic play The Miser about the dangers of greed.

As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground – and their daughter’s whereabouts.

The epic love story tells the tragic tale of young Vietnamese bar girl Kim, orphaned by war, who falls in love with American GI Chris — but their lives are torn apart by the fall of Saigon.

An emotionally powerful and intimate show about two New Yorkers who fall in and out of love over the course of five years. The musical’s unconventional structure unfolds as Cathy tells her story in reverse, from the end of their turbulent relationship, whilst Jamie tells his story chronologically from the spark of their initial meeting. The two characters meet only once, at their wedding in the middle of the show. Now, this iconic musical returns to London in a bold new actor-musician production with the actors on stage at all times and playing the piano to add a new narrative dimension to the story, accompanied by a four piece band.

The innocent Candide discovers that human beings aren't all they are cracked up to be and ultimately focuses on building his own life on his own terms.