Cathrine Magánélete

A couple's attitudes are challenged when their daughter brings home a fiancé who is black.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

A Polynesian street-kid and a much older middle-class housewife are both incarcerated in the same mental hospital - she for attempted suicide and he for habitual crime. A friendship grows between them such that she offers him a place to stay upon his release. However, difficulties arise with his continued criminal activities and dependence on her for support - then his gang moves in with them. The film is based upon Sue McCauley's award winning autobiographical novel.

Desirée, a modern librarian with urban friends and interests is visiting her late husband's grave when she meets Benny, a simple farmer. After his mother's death Benny lives alone on the run-down farm, desperately seeking a woman to take care of him. In spite of their differences the two have the dream of finding that special someone in common, and fall passionately in love. Benny wants Desirée to move in with him and start a family as soon as possible. But being a farmer's wife is not something she is very enthusiastic about. Just presenting Benny as her boyfriend proves to be an embarrassing experience. And when she gets a tempting job offer in Stockholm she has to consider her priorities carefully.

The story begins with Makoto Segawa, a freshman at Meikei University. On the day of his university entrance ceremony, Makoto meets a fresh-faced, quirky girl named Shizuru. Makoto has a complex which causes him to shy away from contact with other people, but she succeeds in getting him to open up to her naturally. All Shizuru wants is to be with Makoto, so she takes up a camera too. The two spend their days together taking photos in the forest behind the campus. However, Makoto has feelings for another student named Miyuki. Shizuru decides that if Makoto likes Miyuki, she wants to like her too. She wants to like everything that he does. One day, she tells Makoto that she wants to take a photo of them kissing in the forest as a present for 'her birthday'. He obliges for her sake, and they kiss in the forest.

"Ni Pour, Ni Contre" tracks the fall of a young TV camerawoman, Caty, after she becomes involved with a group of petty criminals and their enigmatic leader, Jean. The gang lives hand-to-mouth until the day Jean plans a daring bank robbery. Although other gang members feel out of their league, Jean persuades them to take part and Caty finds herself in a hellish world of betrayal, violence and murder.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

A tutor recounts a frantic night that culminated in a 16-year old girl's disappearance. Unfolding in front of a video camera direct from a psychiatric ward, Gaby Winters (Jennifer Morrison) recalls a dreadful babysitting job that sent her on a frantic search for a missing teenager out into the heart of a mysterious city. Woven into the story are a multitude of subplots that add up to one chaotic night that Gaby will never forget.

An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.