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In 1988, Tilda Swinton toured round the Berlin Wall on a bicycle - starting and ending at the Brandenburg Gate - accompanied by filmmaker Cynthia Beatt. As Swinton travels through fields and historic neighborhoods, past lakes and massive concrete apartment buildings, the Wall is a constant presence.
In the early morning of a middle summer day of 2013 the ultra-athlete Nico Valsesia reached the summit of Mont Blanc (4810 metres). But Nico wasn’t an alpinist like the many others with him that morning. He conquered the highest summit of Europe after a no-stop riding almost 17h long, started the day before by bicycle from a beach in Genoa. The first Mont Blanc 24 hour record was beaten by Marino Giacometti in 1997 (23hrs) and subsequently by Andrea Daprai in 2008 (18 hrs 58’). From that day on, Nico launched the project “From Zero To…” and continued to add records and summits (Aconcagua, Elbrus, Kilimanjaro). ”Summit” tells all the efforts that Nico and his team have made for making possible this epic challenge.
A high-rise apartment built in the 1960s provides housing for 2500 people from 42 nations. Separated from the city by a river and bounded by towering sandstone cliffs, everyone attempts to live and survive in their own way. Foreigners who have a go at being Swiss, and Swiss who observe with scepticism. They meet in the corner shop run by an Iraqi living in exile, send their kids to a children’s club managed by a missionary, and old drinking mates meet regularly over a beer in the neighbourhood’s only bar. Despite all the differences, they are rather proud of the fact that they come from here.
Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
The Impossible Hour is a concentrated study of Ole Ritter's attempt in Mexico City in 1974 to set a new record for the hour - described in the film as "the noblest, most difficult record that can be set on a bicycle". A brief retrospective in black and white sets the historical framework, with shots of Ritter and Eddy Merckx' successful record attempts in 1968 and 1972 respectively, and a few words about former record holders such as Fausto Coppi.The film follows Ritter's three record attempts chronologically, which, accompanied by a Mexican marching band on the bandstand, all fail.
With Tom Dumoulin and Primož Roglič, Team Jumbo-Visma has one big goal in the summer of 2020: to win the Tour de France. For three weeks, the "yellow and black train" can be seen in front of the peloton. Everything seems to be under control. In the last week, Roglič has the leader's jersey firmly around his shoulders and apparently nothing can stand in the way of a victory march on the Champs-Élysées.
In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d'Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap hotel room, from acute cocaine poisoning. He had been an addict for five years. This is the story of the tragic battles fought by the most important Italian cyclist of his generation; man verses mountain, athlete verses addiction, Marco Pantani verses himself.
Atypical dive into the world of a particularly talented artist of today: Alexandre Tharaud. Born of parents who were themselves familiar with the stage, Alexandre combines his passion for the piano and his fertile intranquillity under the eye of an intimate camera. A film conducted in the form of an exploration of intimate moments where the artist is much more in front of himself than the public, a confrontation at once gentle and brutal to his passion, to his unattainable star. Translated with www.DeepL.com/Translator (free version)
How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.