איסט סייד

A man searching for his childhood best friend — a Polish violin prodigy orphaned in the Holocaust — who vanished decades before on the night of his first public performance.

Every family has its own fictions: why are they invented, what social values do they reflect and how do later generations interpret them? How is political identity formed - passed down, integrated or rejected - within one family? The tale traverses the Pale, the New World and back to the Old World.

Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.

While saying goodbye to his son and grandchildren who are leaving Israel, Yackov remembers when, as a child, he also said goodbye to his family in Poland in 1937, not realizing that he would never see them again.

Based her grandfather’s boyhood in St. Louis, Yasmin Gorenberg tells a story of the pain passed from refugee parents to their children and the hope that can overcome it. “40 Nickels” captures the image of a generation of immigrants to the United States in the 1920’s and 1930’s and through that spotlights the effects of the 1919 pogroms in Eastern Europe. This is a film about parents and children: how trauma never leaves a family, and how hope and resilience is also passed down. It asks the question: Can a new generation look at the world with wonder rather than fear?

This film is the story of a man’s lifelong search for authentic Yiddish folk music and of his unique archive, which was presumed to be lost forever. Moyshe Beregovsky, a musician and scholar, crisscrossed Ukraine with phonograph in hand during the most dramatic years of Soviet history in order to record and study the traditional music of Ukrainian Jewry. His work began in the 1920’s and led to his arrest and imprisonment in a Stalinist labor camp in 1950. Most of those he recorded on hundreds of fragile wax cylinders were shot by the Nazis and tossed into countless mass graves. Ultimately, Beregovsky succeeded in saving the musical heritage of the centuries-old Yiddish civilization. He rescued the Living Voice of his people from the flames of the Holocaust but paid for it with his life. With this introduction, Yelena Yakovich one of the leading Russian documentary film-makers, begins her latest work, Song Searcher.

Only a handful of Yiddish poets remain alive. Chava Alberstein sets out to interview those last writers of Yiddish poetry, to hear their poems and stories. Along the way, she sings a collection of Yiddish folk songs.

Ricardo Bar (22) is a young man who lives with his family in a little farm, in the border of Brazil and Argentina. There is mainly the jungle and the settlers, descendants of German immigrants. Ricardo doesn't want to inherit his father's land; he wants to become a pastor. Problems begin when Ricardo and the community tell the directors to stop shooting and leave. From that moment on Ricardo Bar tells two stories: one about a deal, the directors' offer to Ricardo in order to be able to shoot the film, and the other about Ricardo's life at this moment, his reaction to the director's offer, reenacted for the camera.

Amid blinding prejudice, a vivacious blonde teacher gets married to an honest man, only to see him leave for the Greco-Italian Front, a few hours after their wedding ceremony. Will she cope with her loss, when there's no one to turn to?

Pedro is a young peasant who leaves home to join the Rebel Army, based in Sierra Maestra.

A group of peasants of Realengo 18 must face the greed of an American company trying to evict them from their place. One of the peasants will have to deal with the conflict of seeing her son join the rural guard who represses them.