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I don't what to say about this movie. One thing is very certain. The Avant-Garde movement of the 1960s and 1970s is blatantly clear in the styling of this film. That alone makes this one work a significant, historical mile-post in cultural cinema. Typically avant-garde, the film's sarcasm pointed at the bourgeois (capitalist) class is not only quite biting, but also quite humorous. It uses the juxtaposition of horrendously misfitting music as a means to an end. And it works beautifully. Other than it's class struggle element, I'm not sure what else is relevant in the 21st century. But as historical cinema, it's clearly valuable.
_Touki Bouki_ is a strange, stylish trip through ’70s Dakar, following two young lovers desperate to get to Paris. It’s got that scrappy, rebellious energy—lots of quick cuts, pop music, and surreal moments that give it a real French New Wave feel. But it’s not just fun and games. The slaughterhouse imagery is appropriately grim and sticks with you, casting a dark shadow over the whole thing. Mambéty’s saying something big about escape, identity, and what’s lost chasing a dream.
Far from his home country of Brazil, a gay man goes on a San Francisco adventure with his friends in order to find the right hookup.
Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.
New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.
Distraught by the suicide of her gay friend Matt, Alexa travels from Amsterdam to her dead friend’s small American town, hoping to uncover the reasons that led Matt to take his own life. She arrives with a backpack, her video camera and intentions to make a film about what it must be like to be gay in Bumblefuck, USA. At the end of her hot summer weeks in Bumblefuck, she’s made a new special friend, clashed with others, and ultimately discovered more about herself than she could ever have imagined.
Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.
Told in reverse chronological order, an aspiring drag queen creates a world out of desolated motel rooms with the guy he met online.
A group of queer best friends gather in the Fire Island Pines for their annual week of love and laughter. However, desires, dramas, drink and drugs push their bonds to the limits.
Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."
Tim holds Dave, the man that he loved in school when they were teenagers, captive in a motel room - the same man who as a boy betrayed and humiliated him. Tim's aim: To understand Dave's motivations, to humiliate, degrade and kill him... But will he be able to go through with turning his dark fantasy into reality?