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Documentarians Parker Hill and Isabel Bethencourt follow around a group of Texas trailer park kids for a year in “Cusp,” an eye-opening vérité film about the angst, struggle, and heartbreak of being a teenager. It’s a shame that the film’s subjects aren’t very interesting, because there are some very disturbing and provocative discussions and events shown on camera that detail the sad reality for many young women in America today. One thing this film does is reiterate the fact that parental responsibility is vital to raising strong, confident adults. Most of these girls don’t have adequate supervision, living their lives as they see fit. Beneath the underage drinking and nonstop pot smoking is a disturbing undercurrent of sadness and restlessness, and a depressing reality that these kids will likely face limited options for a bright future. Even more disturbing is the frank manner in which sexual assault is discussed, with many of the girls talking about rape in the most nonchalant way. It’s upsetting and unacceptable that today’s teenagers aren’t being taught to command the emotional strength to say no when they’re being pressured to do something they don’t want to do. A lot of this behavior can be attributed to the antiquated gender roles (one girl says her dad treats their home like it’s solely his castle). These formative years can make or break a person, and society needs to step up and work on that if their own parents won’t. “Cusp” isn’t a great documentary, but it reveals an intimate portrait of modern-day adolescence.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Beyond the scheduled programme of a school trip, three teenagers find ways to pass the time. Between tenderness, boredom and rejection they all try to find their own place in the group.
Follows Japanese director Naomi Kawase as she directs the official film of the Tokyo 2020 Olympic Games, giving a message that goes beyond the physical exploit to mark souls, with her style and all her subtlety.
In Texas, construction workers face the deadliest conditions in the country. This documentary follows three immigrant families who are rising up to seek justice and equality in an industry rife with exploitation.
Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.
This behind-the-scenes documentary follows Beto O'Rourke's rise from virtual unknown to national political figure through his bold attempt to unseat Ted Cruz in the US Senate.
With a movie camera mounted in the passenger seat of his car, Andy Anderson drove around filming his local neighbourhood of Fort Worth, Texas. The procession of sunny lawns and quiet houses has a day-dreamy innocence, however on the soundtrack, a narrator recites from the police records of over 600 crimes committed in the area. Domestic violence, petty theft, drug related assault; the list of vicious and hapless actions unfolds randomly, "a woman said her husband punched her in the face when he asked her for ten dollars and she didn't have the money. theft; two lawnmowers.." In a powerful counterpoint of sound and image Drive By Shooting creates a two hour-long surveillance film that misses all the action, yet evokes a sense of vulnerability on the streets and violence behind closed doors.
Best friends Silvia and Beba record their lives as they dance, make music, and face an uncertain immigration process in Texas near the Mexican border.
After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.
A flamboyant restaurateur, a good ol' boy and a political ingénue, walk into a small town political contest and compete head to head to head, for the non-paid mayoral seat of the Tomato Republic. What happens next is anyones guess. The only thing that could slow this race down is a freight train. Let the takeover begin. - Written by Whitney Graham Carter
