Ever go to one of those all-you-can-eat buffets that has virtually every kind of food imaginable, and you go in thinking it's going to be an excellent experience, a few of the foods you sample are fairly good, but you're left afterwards with a huge bellyache and the check? That's the way I felt after watching 'Death Warmed Up', from my now-infamous Mill Creek 50-film 'Nightmare Worlds' pack--it has a few interesting ideas, and some decent, though dated, atmosphere, but director Blyth doesn't know how to put it all together. In the right hands, this could have worked, but it definitely doesn't, and that's a shame, because it had potential...'it coulda been a contender!' The two young female leads that play Sandy and Jeannie are beautiful, there's good chemistry between them and the two male leads, particularly in the scene where they're on the ferry going to the island. The completely gratuitous nudity and softcore sex was a great bonus. In an interview that was a DVD extra for 'The Fog', Jamie Lee Curtis explained that she enjoyed starting out in horror and that it was a useful genre for an actor in that it gave one a wide range of possible behaviours to both utilize and show, and, by the end, Michael and Sandy proved to me they were good actors. It's just too bad they were in a nondescript, clunky script that had no idea what it was doing or where it was going. 'Death Warmed Up' is one of those films that doesn't have a climactic finale, or end, per se, it just simply stops or dies, as if the filmmakers simply had no ideas left and simply stopped when they ran out of film. THIS is the type of film that should be remade, not the wildly successful and great film that has no need to have a different interpretation or chance at life, but the misfires or the should-have-beens--to show the world that these ideas had validity and meaning after all.
A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines.
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
When a young female scientist discovers that the pharmaceutical company she works for had developed a cure for cancer years earlier, she attempts to release it to the world. Knowing that they make more money from chemotherapy drugs than the cure, the company does everything it can to stop her.
In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.
A man wakes up in an endless white void, unable to remember how he got there, he soon encounters an A.I. who takes the man through old memories of himself until he realizes his tragic purpose in the white room.
Two people meet as guinea pigs in a weekend drug trial. They soon discover their lives are in more danger than they imagined. The staff are peculiar. The drugs cause hallucinations. Or is the clinic really haunted? Struggling with their senses, they must team up to unravel a spooky mystery.
A thriller set in 1932 about two nurses trapped in a country mansion with their invalid patient whilst a killer is on the loose. A series of unexplainable events start to occur and the nurses begin to wonder if they are no longer alone.
It's the 21st century, the Oil Wars have made a mess of the planet and the land outside major cities is lawless. After Hunter comes to the aid of Corlie, who has run away from the villainous Straker, he takes her to the peaceful community of Clearwater. Unfortunately for the citizens of Clearwater, Straker fully intends to get Corlie back.
American tattoo artist Jake Sawyer wanders the world, exploring and exploiting ethnic themes in his tattoo designs. At a tattoo expo in Singapore, he gets his first glimpse at the exotic world of traditional Samoan tattoo (tatau), and, in a thoughtless act, unwittingly unleashes a powerful angry spirit. In his devastating journey into Pacific mysticism, Jake must find a way to save his new love, Sina and recover his own soul.
A team from the intergalactic fast food chain Crumb's Crunchy Delights descends on Earth, planning to make human flesh the newest taste sensation. After they wipe out the New Zealand town Kaihoro, the country’s Astro-Investigation and Defense Service (AIaDS) is called in to deal with the problem. Things are complicated due to Giles, an aid worker who comes to Kaihoro the same day to collect change from the residents. He is captured by the aliens, and AIaDS stages a rescue mission that quickly becomes an all-out assault on the aliens’ headquarters.