Rīgas kungi

The documentary chronicles the life stories of two brothers, Kristaps and Krists. Kristaps, the elder brother, is disabled and has trouble talking, but he can rap. His younger brother Krists is one of the best freestyle BMX bikers in Latvia.

Director Aija Bley's "Brīva Vieta - T17" captures the unique testimony of the modern era of Riga - the life of "antisquoters". The film tells about the daily life and dreams of the youth community and a mute fish, the so-called commune T17. The community lives in a non-landscaped building, so its occupation is a real challenge. The house is located under the paspārns of the association " Free Riga ", whose movement is based on a responsible attitude towards nature and the careful use of resources. Here, the community is motivated by the conviction that so few resources in everyday life should be consumed in the urban environment. The film follows the everyday life of the community members, who use their lifestyle to use the resources of nature, material, culture and time.

There are about 250 people with a unique ancestry. Livonians – one of the smallest and most endangered nations. Each of Livonians has a duty to preserve their identity and the great history of their ancestors. Trillium follows the footsteps of a poet and researcher Valts Ernštreits, who is one of 20 people able to speak fluent Livonian – an indigenous language related to Estonian and Finnish – in his efforts to look after the language and culture of these ancient settlers of the Baltic Sea coast.

The heroine is a widow and a fiancé who wants to begin a new and happy life. Conflicts in her family’s past prevent it, but she does not give up – she wants to clear away the ruins and do what she can. “Enough of looking for guilt, it’s time to find a solution,” she thinks, and takes action.

A film documenting contemporary Latvian reality along the banks of the river Gauja while channelling one of the first Latvian sound documentary films, Gauja (1934). “Along with producers Sandijs Semjonovs and Gundars Rēders and editor Atis Klimovičs, we witnessed incidents and events along the banks of the river some 80 years later. We captured them along with the views of folks on this river in a documentally poetic style reflecting the reality in Latvia,” explains director Mārtiņš Grauds.

The film portrays the political situation in occupied Latvia 37 years ago, when writer Imants Ziedonis formed a group of like-minded peers into ‘’Dižkoku atbrīvotāji’’ – DAGi. Film reels and photos of the time show Imants Ziedonis and the DAGi participants – Māra Zālīte, Anna Žīgure, Roze Stiebra, Andris Buiķis, Vitolds Kucins and others. Today, with their contemporary experiences, they reflect on a time when the dream of an independent Latvia seemed impossibly far away. We’re Still Here reminds the younger generations that it’s possible to do good in the name your nation and its future not matter the circumstances.

Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.

"If a person doesn't go to church anymore, then the church should go to them," says Rinalds, a calm, smiling, young man with a good sense of humor. He is a priest from a small village in Latgale, Latvia's easternmost and poorest region, and the documentary Prīsters (The Priest) follows the routines of his daily life, his thoughts of life and religion and why he chose this path for himself.

The documentary explores issues of beauty and acceptance in a culture increasingly saturated with idealised and unattainable ideals of femininity. It is a story about the world of young girls in today's Latvia, based on conversations about girls' attitudes towards the world and their place in it.

The three speakers represent two of the dialects, with the most common one - the middle dialect spoken in Riga and central parts of Latvia - not featured in the film. In intimate surroundings, a farmer, a schoolteacher, and a herder of ostriches talk about perceived differences between Latvian speakers, and about language policy and their lives.

Six theater and hip hop teachers take on a five month challenge to show the Latvian public that young men behind bars are more than just that. While seeming impatient, full of disbelief and even rude at first, it turns out to be a superficial impression given off by their masks that must be kept on at all time as an underage colony is a difficult place to be. It has its own rules and it’s not easy being creative there. Teachers help inmates reveal the talents within them that help transcending the monotony of the prison walls.