Bergen: i all beskjedenhet

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.

Since 1950, there have been 32 nuclear weapon accidents, known as "Broken Arrows." A Broken Arrow is defined as an unexpected event involving nuclear weapons that result in the accidental launching, firing, detonating, theft or loss of the weapon. To date, six nuclear weapons have been lost and never recovered.Now, recently declassified documents reveal the history and secrecy surrounding the events known as "Broken Arrows". There have been 32 nuclear weapon accidents since 1950. Six of these nuclear weapons have been lost and never recovered. What does this say about our defense system? What does this mean to our threatened environment? What do we do to rectify these monumental "mistakes"? Using spectacular special effects, newly uncovered and recently declassified footage, filmmaker Peter Kuran explores the accidents, incidents and exercises in the secret world of nuclear weapons.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.

May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.

Fourty years ago, in May 1981, with François Mitterrand's election, some people were letting themselves dream about a better life while others were predicting the coming of soviet tanks upon the Champs-Élysées. If we gladly remember the turning point of austerity in 83, there were also the wage rises, the fifth week of paid leave, the abolition of death penalty, the decriminalisation of homosexuality, or the advent of independent radio stations. Rare archives and accounts by those who were at the heart of this story give an overview of it and shed light on lesser-known aspects.

In continuous motion with no end or barrier in its way.