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Football Focus - (Mar 16th)
All Elite Wrestling- Collision - (Mar 16th)
GRAND SUMO Highlights - (Mar 16th)
Prosecuting Evil with Kelly Siegler - (Mar 16th)
Kiff - (Mar 16th)
1923 - (Mar 16th)
Nine Bodies in a Mexican Morgue - (Mar 16th)
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Gladiators - (Mar 16th)
The Tommy Tiernan Show - (Mar 16th)
A Secret to Die For - (Mar 16th)
Murder by the Sea - (Mar 16th)
The Beat with Ari Melber - (Mar 15th)
The Last American Vagabond - (Mar 15th)
Our Dream Farm with Matt Baker - (Mar 15th)
Portugal with Michael Portillo - (Mar 15th)
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Awkward loner Andrew (Dane DeHaan, soon to appear as Harry Osborn in The Amazing Spider-Man 2) is invited by his more affable cousin Matt (Alex Russell, Bait, Carrie) to go to a party, to help cheer him up. Andrew has problems at home; his mother is dying of cancer, the cost of her medication has become prohibitive, and his dad is an abusive drunk. Andrew brings with him the bulky old video camera he's been using of late to document... I dunno, the misery of his life I suppose. Anyway, once at the party Matt, mildly embarrassed by his cousin following him around with a camera, peels off away from Andrew to hang with some of the cooler kids, including the impossibly popular but genuinely decent Steve (Michael B. Jordan, The Wire, Friday Night Lights). The camera causes further problems for Andrew and he's unceremoniously ejected from the party. He's found outside by the aforementioned Steve, and invited to come with him and Matt to check out a weird hole in the ground in the woods nearby (elements of the party had spilled outside into the darkness, as these things do from time to time). Andrew, Matt and Steve venture down this hole, which turns out to be more of a tunnel, leading to... what is that? A space rock of some sort? Something mineral, and glowing, and a bit scary. Upon exiting the hole, the trio find that they possess mild levels of telekinesis, the ability to move objects with their minds. They also find that with practice, they can strengthen that ability. They soon graduate from levitating Lego bricks to flying through the air. Andrew proves to be particularly adept with this new "talent", and that proves to be problematic, because where Matt and Steve are content to limit their telekinetic use to mild pranks and perhaps flying somewhere interesting on holiday, Andrew's home life, general isolation and subsequent mood swings as a result of each cause him to want to embrace his power - and for him, it's grown into a potentially deadly power, now - in altogether different ways indeed. With Chronicle, writer Max Landis (son of John "An American Werewolf in London" Landis) and director Josh Trank have taken some fairly tired areas (cinéma vérité, superhero origin tales) and made something decent and fresh with them, for comparatively little money (budget was $12m apparently, looks like five times that). It's not a perfect film - the first-person narrative's need to justify its camera angles leads to one or two bum notes despite the fairly ingenious device of having Andrew telekinetically "float" the camera around behind him; some of Andrew's worst rages during the second act - including one with devastating consequences - seem badly disproportionate to the infraction, disconnecting us from the character (though perhaps that's the idea); and the abusive father (Michael Kelly, Dawn of the Dead, Did You Hear About the Morgans?) seems unrealistically so. But these are things I thought about after having seen the movie. The movie's tone and pace, and the performances of the three newly-empowered young men particularly, carry the movie very well right to the brisk 78th minute end (minus the credits). Recommended.
Why this movie seem to get a lot of 7 and above ratings is beyond me. It’s certainly not my cup of tea. The three high school friends are behaving annoyingly stupid, reckless and irresponsibly. Only one of them is showing any sign of intelligence. One of them is just silly and the other one is a nutcase. Of course the film actually revolves around the nutcase. It starts of kind of okay with the three friends finding this glowing alien thing which gives them superpowers and there are some mildly funny scenes when they experiment with them. After that it spirals out of control when the nutcase goes more and more insane. I can live with the drama and bizarre behaviours if the movie would have had some other redeeming factors such as imagery or acting but none of it is present here. Rather the inverse since the film shot in this wobbling-about handycam/documentary style which I really do not like. I’m afraid that I found this movie not very entertaining.
Great watch, will watch again, and can recommend. I am partial to found footage style of shooting, so I understand if that's not for you. Dane DeHaan does a lot of the heavy lifting in this movie, but Michael B. Jordan is right behind him, alongside Alex Russell. It is almost literally just these 3 guys filming each other as they gain, experiment, and grow their supernatural abilities. There are some supporting cast, but they're more there as plot devices, and another camera angle. Found footage is not easy to do, which is why everyone complains about it. This is a very natural feeling movie with some dark aspects too it. I really think you can feel when the mood changes in this movie. It also brings up some great points on the "reality" of if people gained super powers. While most people would claim to be Captain America, the reality is that people tend to do whatever they can get away with, so creating a checks and balances with one's co-supernaturals makes sense, but the reality is enforcing that turns it into super "hero" versus super "villain". Surprisingly, this movie reminds a little bit of "Hancock", but probably not quite as good, mostly just different. If you like dark, edgy super power stuff or found footage, give it a go.
A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
Daniel LaRusso moves to Los Angeles with his mother, Lucille, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of high school students, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei, John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and, later, preparing him to compete against the brutal Cobra Kai.
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.
Mild-mannered Clark Kent works as a reporter at the Daily Planet alongside his crush: Lois Lane. Clark must summon his superhero alter-ego when the nefarious Lex Luthor launches a plan to take over the world.
Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.