Harud

Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

As India faces a militant attack in Kashmir, the country’s best combat aviators join forces under a reckless yet brilliant squadron leader to form 'Air Dragons', faces mortal dangers and their inner demons.

The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.

a young boy works hard to buy his sister a birthday cake, but at the end of his journey he runs into an army man who's world collides with his in a situation that both try hard to control.

A young man returns to Kashmir after his father's disappearance to confront his uncle - the man he suspects to have a role in his father's fate.

A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Saffron Kingdom is a drama inspired by true events, following Masrat, a Kashmiri woman who, after her husband’s abduction, escapes to America with her son, Rizwan. Settling in Atlanta, they confront the challenges of displacement and the lingering trauma from their past. The film explores themes of identity, resilience, and the enduring impact of political turmoil on personal lives.

A film about the Indian government's atrocities in the Indian occupied valley of Kashmir, and the Kashmiri struggle for independence.

The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.