The Flintstones: On the Rocks

A young man concocts a scheme to marry a reluctant fellow student, but finds the task more difficult than it first appeared.

A self-assured and extremely rich business entrepreneur who is convinced that money is everything has a chance encounter with a feisty young lawyer who couldn't care less about his financial status. In the end, can money buy love?

Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.

Shirley has gone to Africa to civilize the cannibals; something she is able to do with the assistance of Diperzan.

A happy young couple become engaged, and soon afterwards they are married. But after their marriage, the husband begins to stay out carousing with his friends, leaving his wife at home with her mother. Then, when the three of them go to the opera together, the husband spots one of his friends in another box. Soon the domestic difficulties reach their peak.

The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.

The life and journey of Hameed to find his biological mother and how his life changes when Aisha comes into his life.

After a quarrel with her boyfriend on New Year's Eve, Mane drives her car from Mexico City to Cuernavaca to meet her parents in their country house. The car breaks down in the highway and Mane has to ask for help. Mechanic Cruci arrives and, after testing the car, offers Mane a ride on his motorcycle. Back in Mane's house, she invites him some drinks to celebrate New Year's Eve. They get drunk and, the morning after, Mane's parents arrive and find them sleeping together. Not knowing what happened, Mane and Cruci are forced to get married against their will.

Ambrose C. Park, left on a park bench as an infant with an impulsive need to find his parents, is an assistant to a diamond cutter. Shyster lawyer Remlick, in a strategy to get a fabulous uncut diamond through Ambrose, arranges for Emily Drummon, Duke Fargoh and Maggie Drummon to pose as Ambrose's long-lost parents and sister. The diamond, through many comic situations, is acquired and the gang is going to have Ambrose cut the diamond, and relieve him of the two stones and his parental illusions at the same time. But Maggie, who has no taste for the deception, tips Ambrose off and a wild chase ensues. At the end, Ambrose is very happy as he can now marry his "sister."

A brief vaudeville-style demonstration of a "Dog Transformator," a machine that instantly turns dogs into sausages, and amazingly, sausages back into dogs.

Les Bingham takes umbrage that his ex-wife Katie has a new love in life. What he doesn't know is that her new paramour is lawyer Lou Springer. When Katie's sister Sally arrives and tells the two about her new, hip '70s marriage contract, Les and Katie decide to try to get together again under a more liberal marriage contract, like Katie's sister. But, unfortunately for the couple, the contract is planted with the seeds of self-destruction.