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Following Oru Rathri Oru Pakal (A Night A Day) can be a struggle but if you give it time, it will open its heart for you. The film captures a tense hour between a runaway couple who are hiding from death at the hands of their relatives (and the proverbial society) because they hail from different castes. It's the usual plot but one which has a novel execution. Instead of taking the usual cat-mouse approach, Oru Rathri Oru Pakal focuses on the tension between the couple as they revisit their decision to elope. It's a fine conversation between the two which takes new turns and finds new meanings even as they try to move away from the society that they are so firmly attached to. Despite all that, I didn't enjoy watching it. **Grade C-**. (Reviewed during its Australian premiere at the Indian Film Festival of Melbourne (IFFM).)
Şerif Ağa wants to marry the girl, who works with her, to a rich man. Zeynep resists but when she hears that the young man he loves will be killed, she has to accept it.
Hatun Aynur Sürücü, a German woman of Kurdish origin, was shot dead by her brothers at a bus stop in 2005. The story of a woman who fought for her freedom and independence despite her family's objections, and whose life ended in a horrific murder.
A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create - in 21st century L.A.
A law student from a lower caste begins a friendship with his classmate, a girl who belongs to a higher caste, and the men in her family start giving him trouble over this.
In a small village not too far from Delhi, three lives explode around taboos of love and lust. Diksha, still just a girl, is caught unguarded on camera, besmirching the "honor" of her parents. Kiran, in love with the wrong boy, becomes the target of another man's lustful vengeance, "dishonoring" her family. And Virender, a young man cruising the streets at will, enjoys all the acts society forbids women, protecting or destroying their "honor" as he wills. Set in the badlands of Haryana, known for high rates of female feticide, G explores the murky world of sexual transgression and honor killings in India.
Nassif al-Leithi is a very loyal merchant for business colleague Hussein Zahran. Hussein Zahran was surprised by the betrayal of his wife and killed her. Nassif al-Leithi promises that his son Hussein will take care of his son Kamal while he is in prison. He dies in prison. Kamal grows up and works in the company of his father's friend Nasif. One of his sons, but the good treatment changed abruptly when Nasif noticed that his young daughter Wafa was fully impressed, refusing to share their marriage
After losing his wife and son in a traffic accident, Kemal finds himself in trouble. Murat, Kemal's police officer friend, tries to help Kemal stay out of trouble.
When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.
Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.
A hardened cop deals with three conflicting perspectives involving a brutal double murder. The case is complicated as the prime suspects are the parents who supposedly killed their teenage daughter.