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Backed by an echoed horn music, the light passes through a magnifying glass. On the walls, they portrait pans being held on top of a stove.
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.
Depeche Mode - Live at Wembley Arena, London, 17 April 1986 (Black Celebration Tour) 01. Black Celebration 02. A Question Of Time 03. Fly On The Windscreen 04. Shake The Disease 05. Leave In Silence 06. It's Called A Heart 07. Everything Counts 08. It Doesn't Matter Two 09. A Question Of Lust 10. Blasphemous Rumours 11. New Dress 12. Stripped 13. Something To Do 14. Master And Servant 15. Photographic 16. People Are People 17. Boys Say Go! 18. Just Can't Get Enough 19. More Than A Party
Considered one of the most influential dancers of all time, Angel Vianna marked her name in history after founding the Klauss Vianna School with her husband. Taking the lead of the project, she created her own dance style, mixing body expression with classical ballet, and soon afterwards formed a transformation to dance in a course that has postgraduate lato sensu. Today, at the age of 90, she struggles to remain active and exercise her greatest passion.
Mathieu Amalric’s film with John Zorn began as a European TV commission that was quickly abandoned in favor of something more intimate: an ongoing dialogue between two friends that will always be a work-in-progress.
In a poetic composition of song, narration, and images, this film follows Canadian soprano and orchestra conductor Barbara Hannigan, accompanied by the Ludwig Orchestra, as she records her album Crazy Girl Crazy. Why did she choose these three pieces, in essence so different, but which intimately resonate with her: Berio’s Sequenza III, Berg’s Lulu Suite, and Gershwin’s Girl Crazy? With this musical voyage peering into a world of precision and sharing, where a passionate woman brings forth a vocal tour de force, Mathieu Amalric, César winner for Best Actor in 2005 and 2008, shows us once more his talent behind the camera with this new opus that goes beyond a mere artist’s portrait.
Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".
The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.
Live performance from June 29, 1996 in Chicago of Adam Sandler with a live backing band supporting his newly released comedy album, "What the Hell Happened to Me?". Originally aired as an hour long special on HBO.
When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.
