Moneyball: Playing the Game

Ibn Kenyatta has been in prison since 1974. In 2019, he reflects on his refusal to appear before the New York State Board of Parole. The words resonate from his cell with images of the Great Migration. The invocation of a life before walls. The images' epistolary narrative takes us from Alabama, his birthplace, to the New York subway where he was arrested and beaten. Before arriving to Haiti's spiritual world, his words pass through cotton fields and factories. We encounter Bobby Seale in prison, a youth who embodies his African heritage during the Vietnam War, while his fathers are murdered in the United States.

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Murilo Peres and Pedro Barros get a once-in-a-lifetime pass to roll on the fabled curves of some undisputed masterpieces of modern architecture. Oscar Niemeyer remains one of the most important architects in modern history. The Brazilian visionary, who died in 2012 aged 104, elevated modern architecture beyond the realms of function and created buildings that are works of art and express the highest attributes of humanity. His work with reinforced concrete in particular created new architectural forms and possibilities, eschewing the tyranny of angles to create waves and swooping arches of such soaring beauty that they represent nothing less than physical poetry.

Millions of years scroll by in 10 minutes, illustrated by ingenious designers: this is the geological history of Canada.

With seven Winter X-Games gold medals and a career spanning twenty years, Tanner Hall has cemented himself as an icon and legend in the sport of skiing. Now, at age 35, he’s decided to enter the Freeride World Tour; a five-stop competition circuit in which skiers are judged on their ability to descend through rugged, un-groomed terrain. Having never competed in a freeride competition, Tanner embarks on the latest chapter of his career, struggling against the limits of an aging body while confronting the darkest memories of his past.

First it's paint bombs, followed hard by riots. Tweets proclaim what is to be done. Resistance is everywhere. Something has to give. Two young activists meet amid turbulent events. They dance. The city belongs to them.

This documentary is an informal portrait of the great modern composer Igor Stravinsky. Proudly American, though still very much an Old World figure with a long and alert memory for people and events in music, literature and art, Stravinsky is depicted here conducting the CBC Symphony Orchestra in a recording of his Symphony of Psalms.