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Befitting its title, this movie feels like the son of The Exorcist and Rosemary – and in that sense it is proof that talent does skip a generation. It's as if screenwriter/director Ivan Kavanagh thought that revisiting Rosemary's baby was a good idea, even though someone else had already gone back to that particular well, and the result left a lot to be desired (I’m referring of course to Look What's Happened to Rosemary's Baby). Laura (Andi Matichak) is the young single mother of David (Luke David Blumm). One night, Laura stumbles upon a group of refugees from the Bramford Building in David's room. She runs off to a neighbor's house and calls the police. As it often happens in these cases, the police find not a shred of evidence of a home invasion, and one of the detectives (Cranston Johnson) obviously thinks Laura is one card short of a full deck. In contrast, the other detective, Paul (Emile Hirsch), is understanding, patient, and attentive – in short, he is so obliging that we immediately know he’s going to doublecross Laura sooner or later; it's just a matter of waiting for the other shoe to drop. Shortly after, David begins to experience symptoms of a disease that a battery of tests is unable to identify, but which we could call Regan MacNeil Syndrome. It turns out that Laura's father was the leader of a satanic cult/pedophile ring (a little too late to exploit the so-called satanic panic, ain’t it?). David is believed by all in the know to be the product of Laura being raped by her father, just as Rosemary was under the impression of having had sex with Guy, when in reality she had inadvertently become the devil's concubine (between the ages of 10 and 18, Laura, then known as Anna, lived a life of sexual subservience, and to give the devil his due, the newspaper clippings the characters look up are a very nice touch. Too bad the photo of the alleged victim depicts an incongruously smiling Anna/Laura). In keeping with the Rosemary pattern, David is not the fruit of an incestuous relationship, but of Laura's union with the prince of darkness. Now, as far as demon seeds go, David is rather underwhelming. To begin with, he has to eat human flesh; otherwise he becomes violently, and presumably fatally, ill. That is, the son of El Diablo is as dependable as a junky going through withdrawal. Sure, he's capable of subduing prey several times his size, but this is disappointingly pedestrian, especially when compared to Damien Thorn, who never had to get his hands dirty. The biggest problem here is that, while the best thing in the whole movie, Blumm's performance is not right for the character. David is (except when hunger overcomes him) more Regan than Damien (which doesn't stop Kavanagh from blatantly ripping off The Omen’s ending), and as such, we want him to find salvation, not see him embracing, so to speak, the dark side of the force.
A psychological noir thriller, about the trials and tribulations of a Detective overcoming grief, while trying to solve a series of grisly murders, threatening his own sanity amidst a game of cat-and-mouse with the killer
A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
In a wealthy and isolated desert community, a sound expert is targeted as the prime suspect of a series of brutal murders of local suburban housewives who were attacked and mutilated in their homes. As he desperately tries to prove his innocence, his wife starts to uncover startling truths...
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
In the Philadelphia police department, Emmett Young is a hotshot, a workaholic newly promoted to homicide. He learns he has a disease that will soon kill him painfully, so he hires a stranger to arrange his own death. With one eye on the calendar (he's allowed a few days' grace before his murder), he pursues a final case, the serial killing of young women. Emmett develops a profile of the assailant. Meanwhile, his fixer hires an ex-cop to kill Emmett, a lonely security guard whom the fixer taunts and belittles. In this limited time, can Emmett sort out what's important?
When Detecive Max Garrett is assigned to protect the sultry photographer Laura Cross from a ruthless killer, he has no idea what he's in for. The more involved Garrett gets in the case, the more attracted he is to Cross, but as they get closer, so does the killer.
True story of a young woman's abduction by a deranged loner that led to the largest manhunt in the history of Pennsylvania.
When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder - and learns something about his own destiny in the process.
Seeking justice for his partner’s murder by an ISIS member, a Copenhagen police officer finds himself caught in a cat and mouse game with a duplicitous CIA agent who is using the killer as a pawn to trap other ISIS members.
A bank robber seeks refuge in a desert gas station run by nuns, awaiting her boyfriend's release. An alien meteorite transforms her into a flesh-craving monster with a monstrous tongue, while her poodles become drag queens.