My Name is Abbie

An exposé on the public health impact of factory farming across the United States, told through the eyes of residents in five rural communities. When pushed to their limit, these citizens turned activists band together to demand justice.

A villager of Desa Jepitu named Rubiyanto conducted a water extraction project from Gua Pulejajar with a group of volunteers. Echa, a student of cultural anthropology, involved herself in the project for her research. The water reserve in Gua Pulejajar does not only give hope to Rubiyanto and the other villagers of Desa Jepitu, but also reignites spiritual relations between Echa and her late father, who was a former activist of Gua Pulejajar.

MAJOR! follows the life and campaigns of Miss Major Griffin-Gracy, a 73-year-old Black transgender woman who has been fighting for the rights of trans women of color for over 40 years.

At 85 years old, organic raisin farmer and lifelong river advocate Walt Shubin is not slowing down. He has dedicated the last 65 years of his life to restoring California’s once-mighty San Joaquin River to the wild glory he remembers as a young boy. Driven by his passion for the river, and despite worn out knees and joints, he takes us on a journey to help us understand why this river is so important to all of us as well.

Wildlife activists and investigators put their lives on the line to battle the illegal African ivory trade, in this suspenseful on-the-ground documentary.

A documentary exploring sexism and patriarchy in Kosova.

Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?

Tamara is from the ocean and water runs in her veins. Born in a fishing village on the Mexican coast, she became a full-time scuba instructor. When she discovers plastic in her beloved ocean, she sets out to get the diving industry to stop using single-use plastic.

The documentary BERLINIZED describes this very Berlin-specific attitude in a reflection on and a journey to mid-1990s' Berlin. Filmmaker Lucian Busse, an active protagonist of the period, documents the transformation of Berlin after the Wall. But Berlinized represents more than just the 1990s - it is a metaphor for this virally catching creative feeling, the slightly rough directness, spiced up with a big dash of typical Berlin humor. Berlinized lets the former protagonists reflect how that temporary feeling of freedom shaped their individual lives, and to what degree that freedom can still be found among the neat order of today's Berlin. These reflections are as diverse as the interviewees and as multifaceted as the changes in those times.

A short film documenting street protests against the filming of William Friedkin's Cruising (1980)

Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.