War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
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Gogglebox - (Mar 28th)
Spoiled Jessie Montgomery, whose wild behavior and spending excesses cause her well-meaning but exasperated millionaire father Charles to wish he never had her, is visited by fairy godmother Stella. In an effort to save Jessie, Stella casts a spell which causes Charles to no longer have a daughter. Jessie, now penniless and without a friend, must take a maid's job to earn a living, and hopefully to learn her lesson.
This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With A Pearl Earring" by 17th century Dutch master Johannes Vermeer. A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.
In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
A girl, Carola, whose vacation in Kenya takes an interesting turn when she becomes infatuated with a Masai. Carola decides to leave her boyfriend to stay with her lover. There, she has to adapt to the Masai's way of life and get used to their food which includes milk mixed with blood. She also has to face her husband's attitude towards women and what he expects from a wife. Nonetheless, Carola is welcomed warmly into the tribe she has chosen to join.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies - the very building blocks of love.
In 1930s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
A down and out all girl race team, Maximum Thrust, hires a sexy newbie street racer, Bekka (Beverly Lynne), in hopes of saving a failing business and salvaging street creds and respect. The action is fast and furious on and off the track when Bekka is seduced by a rival racer, Junior Sloan. When it is discovered Junior intends on destroying Maximum Thrust, even if it means killing the driver, Bekka reunites with the team. With friends and lovers helping, the women of Maximum Thrust build an awesome street racing machine and lay it all on the line when they challenge Junior to a race at "Street Wars." It is a high octane battle where Bekka blows by Junior and stops him on the track. Using intimate information, Bekka and the team have Junior arrested and the team reigns as the Street Wars champions.