Y'a pas d'heure pour les femmes

Radical feminist Andrea Dworkin's expose on the pornography industry.

Americans are alarmed... What they have witnessed - a group of journalists from Soviet television, having appeared on American soil in the summer of 1982, America has not yet seen. To whom it would seem in our time to surprise with mass processions, demonstrations of many thousands. They are constantly reported in newspapers, their shots are now and then flashed in television news releases, and nevertheless, the events of this summer are something completely new in the political life of the United States...

Professor Valentin Zorin, political observer of the USSR State Television and Radio Broadcasting, talks about Joseph McCarthy, an American politician, a senator from Wisconsin, who held an extremely anti-communist position, who advocated an intensification of the Cold War with the USSR. The name of McCarthy is associated with a reactionary trend in the political life of the United States of the early 1950s, dubbed "McCarthyism" and consisted in the persecution of people only suspected of sympathizing with communism and not committing any crimes.

In the second film, the author tells about the struggle of blacks for the right to feel equal with all US citizens. Commentary of the mayor of Cairo, one of the cities in the American South, about the suppression of the rebels, about the most brutal methods of fighting African American protesters. Jesse Jackson's speech. Jesse Jackson's commentary on the Black Rights Organization. Comments by female residents of Jackson, the capital of Mississippi, on the degree of mental development of whites and blacks. A story about the Ku Klux Klan, about Robert Shelton - the head of the Ku Klux Klan. Speech by American singer and dramatic actor Paul Robson, his commentary. Shots of the Olympics, victories in the competition of black athletes. About reprisals against Negro organizations. The widow of the American writer Ernest Hemingway Mary and the American scientist Henry Winston speak out about support for African Americans and the fight against racism.

This film explores how iconic Nevada Senator Harry Reid set the foundations for a green new deal.

People You May Know follows Charles Kriel, specialist advisor to UK Parliament on disinformation, when he discovers Cambridge Analytica collaborating with a software company creating a microtargeting platform for US churches, targeting vulnerable people - the poor, the grieving, the addicted - to radicalise them for far-right politics. With US 2020 elections coming, Kriel gathers a team of whistleblowers and journalists, and journeys across America with his young family, where he discovers a powerful organisation with ties to the heart of the White House. The man who commissioned CA is a member of the most powerful secret political organisation in the United States, with an agenda to rewrite the Constitution according to Christian law. Going undercover, he risks everything to gain access where no outsider has ever set foot.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.

An overview of 21st-century feminism through the lens of pop culture.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.