Miranda July: Where it Began

Six of Japan’s emerging design talents collaborate with six models with diverse personalities and bodies, some accompanied by wheelchairs and prosthetic limbs. The Quest: to push the limits of fashion as we know it.

The post-colonial period in Papua New Guinea has seen resurgence in tribal warfare. Pepsi War follows the story of a fight between two clans, which developed from a dispute over cola bottles.

Three classmates talk about the Way of Santiago and the Galician heritage.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

A picture of life in the West Australian capital of Perth in the mid 1960s. The social, business, sporting and other activities of an average Australian family in Perth are told through the eyes of the local newspapers.

Revisiting family archive images, Marina cannot help but wonder what would have happened if she had recorded those images. Through the modification of the footage she tries to find out if it is possible to know a person through what underlies the images. In this case, her grandmother Esther.

A short film entitled "A Letter To Claudette Colvin", written and directed by Victoria Wilson bringing awareness to Colvin's involvement in the Montgomery Bus Boycott which ignited due to her refusal on March 2, 1955.

The Misbehavers documents a small army of guerrilla filmmakers as they converge at the 2004 Sundance Film Festival for a mission dubbed Operation: Altitude. The objective: book a venue, market a film, attract acquisitions representatives and pack the screenings beyond capacity. Essentially, they set out to create their own film festival from the ground up in less than two weeks and all no financial backing of any kind. The film chronicles the amazing heights of passion, humility and unity met with the unbelievable lows of self-sacrifice, ego and division that exists even in the lowest levels of the independent film world.