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Dancing with the Stars - (Feb 26th)
The Kelly Clarkson Show - (Feb 26th)
Allegiance - (Feb 26th)
Family Feud Canada - (Feb 26th)
Wild Cards - (Feb 26th)
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PopMaster TV - (Feb 26th)
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Deal or No Deal Island After Show with Boston Rob - (Feb 26th)
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After Midnight - (Feb 26th)
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Baddies Midwest and Baddies Gone Wild Auditions - (Feb 26th)
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Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
The heroic struggle to bring a dynasty of nasty dictators to power. While the main topic is a military bridge to get troops across the river, most of the movie is about the AA gun crews, and the bomber crews. The dramaturgy is a bit over the place, but that happened in US war movies as well. Don't expect a dramatic arc or a conclusion. The heroism gets rather absurd though in the last quarter. Yes, it is a question of perspective; and that is the Chinese perspective. Sacrificing many, many Chinese lives to demonstrate military strength (which may make sense) and to bring the dictatorial family in North Korea to power. Sacrificing one's life not for the defence of one's homeland, but for a vile dynasty in another country - that is something one could be a little critical of, at least in retrospect. This film is a big production, with all the heroism and production values that Hollywood puts into their patriotic US films. It follows the usual, probably by now internationally standardised patterns; great cinematography, lots of extras running in period uniforms, explosions, gore, heroism, some CGI, suspense, drama; some hooks so the viewer can connect emotionally - it's all there, and reasonably well done. (The cuts are slightly annoying in their modernity.) And why not, a Chinese war movie. Switching the viewpoints between chapters is a good move, but no novelty. (It also saves money per screen-time, as often as they repeat scenes here.) If you were making a movie today from, say, Italian perspective supporting Hitlers rule, uncritically, that would have similar smell. With the tiny difference that Nazis Germany lost, and the open-air prison North Korea still exists today.
A cafe is growing, tucked in to the mountainside air raid shelter of the DMZ borderlands. A light light flickers, illuminating the past, present, and future. I'll see you at the DMZ! Shim was a free, one-day pop-up cafe staged in Yangji-ri village’s air raid shelter at the Korean DMZ. Referencing Korean cafe culture’s fixation on third place, the DMZ’s evolution from security tourism, to ecological peace tourism, and its repurposing as art production site, Shim attempts to intervene and align the past and present. Yangji-ri was one of many minbuk propaganda villages established by the Park Chung Hee regime in the 1960s to showcase the farming bounty and prosperity of the south for a North Korean gaze. The village was formerly part of the Civilian Control Line (CCL) until 2013 when it was reterritorialized as a normal part of South Korea.
A disillusioned veteran finds himself at a war photo exhibition, where everybody else sees art, while he relives his past.
Jake Rademacher reconnects with his brothers and soldiers he embedded with in Iraq. He creates a unique “then and now” journey into the toll of war and a never before seen look at war fighters and the veterans they become.
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
Lt. Robert Cappa and his platoon of 2nd Infantry Division soldiers must defend a vital supply depot from being captured by attacking German soldiers.
Wounded and left for dead, a British soldier in the midst of the First World War embarks on a daring escape from a booby-trapped German dugout.
A sometimes uncomfortable marriage between fact and fiction, this film is part documentary and part drama, mixing actual war footage with reenactments in which real veterans of the Korean War portray members of a platoon sent out on a reconnaissance mission near the end of the conflict. Though peace is imminent, violence unexpectedly erupts. A day that begins with the calm and mundane is transformed into a heated battle that typifies the cruel and unpredictable nature of war.
A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.