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Sometimes God's love can be hard to swallow. A super slice of sub-urban horror crafted by Ben Wheatley, Kill List blends a number of classic British films but still remains very much its own beast. And what a beast it is. Part hit-man thriller and part Wicker Man pagan horror, plot spins hit-man for hire Jay (Neil Maskell) out of his troubled domestic funk, into a world of pain and misery. Taking on a job, he, along with his partner Gal (Michael Smiley), is given a list of names for them to track and terminate. The people and the places they confront are the darkest kind, which brings out Jay's black heart as well. All this while lurking around the edges of the frame is something mysterious, something that will bring Jay to his destiny. There is a rawness to Kill List that strikes hard, a sort of real life documentary feel that marries up with the black material to chill the bones. It's proud of its grimness, even what humour exists within just feels like damaged goods. The sound and camera work gleefully add to the unsettling atmosphere, tactics which help alleviate the feeling that we are once again watching a formulaic British thriller with ideas above its station. But then the curve ball arrives and hits you on the head, bringing dizzy spells and some delirium. Which builds to a finale that will either leave you breathless or angry, but either way Kill List will not be ignored. Impressively performed by the cast, mounted with skill by Wheatley, this is a dark hearted British treasure that hopefully in time will be afforded the praise it deserves. 8/10
A bit tough to understand on the first watch, yet gripping and a compelling portrayal of inner demons. But seriously, are the British the only film-makers who can make a decent crime/thriller film??
Rubbi... Wait, people love this? Before I started my review, I decided to take a quick look at the Letterboxd reviews. I always play a minigame in my head by attempting to guess the average rating, for example for the last film I watched - 'Jack the Giant Slayer' - I called it spot on at 2.4. This I genuinely predicted less than 2.0... it's at 3.5! To tell you I was flabbergasted would be an understatement. There have been films in the past when my thoughts are the opposite (both positively and negatively) to the majority elsewhere, but I think this one takes the crown as the most polarizing so far. I just didn't like this 2011 release at all, there's one good piece of violence involving a hammer and a head (not like that, ichthyologists) but otherwise I found it all super underwhelming. I hadn't heard of 'Kill List' prior to watching it, I only decided to do so as I noticed it had Neil Maskell in it and I loved his performance a decade ago in television's 'Utopia' - which is of similar ilk to this actually, just as violent but miles, miles greater. Those behind/alongside Maskell didn't get my approval either, with only the aforementioned violence keeping my attention. I could sense a promising concept in there (which I guess many others actually did see, evidently), though this honestly didn't do anything for me all the way through. I sit here flummoxed reading other reviews, even the Wikipedia 'reception' section is all-out gushing about it too. Did Prime Video play me the wrong movie?! Just noticed that this has the same director as 2016's 'Free Fire' (which I rated 6/10), which is a good example of what I mentioned earlier in regards to my thoughts sometimes being a noticeable difference to the majority (fairly uncommon, fwiw). Maybe I just don't like Ben Wheatley movies?
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
Immediately after their miscarriage, the US diplomat Robert Thorn adopts the newborn Damien without the knowledge of his wife. Yet what he doesn’t know is that their new son is the son of the devil.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
The search for a child murderer drags a once-respected detective into an all-consuming obsession.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
After notorious jewel thief Flambeau meets Evelyn Fischer during a raid on a casino, he falls deeply in love with her. Later Flambeau sends notes to both Leopold Fischer, who unknown to him is Evelyn's uncle, and Father Brown, in which he vows he will steal from them the ten diamonds that comprise the "Flying Star." Flambeau intends to give these diamonds to Evelyn. Father Brown, whose gold cross contains some of the Flying Star diamonds, is determined to meet Flambeau before he is arrested, to reform and redeem his soul.
Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
A federal agent searches for a potential killer among the bizarre residents of a dilapidated Los Angeles hotel.