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A fashion concept film featuring six looks developed and designed by award-winning SCAD Fashion Designer Sarah Holman. Fears, anxieties, and mysteries manifest as ghosts withholding a future from a distraught Ingenue. She must fight these self-inflicted demons to gain the freedom she has all but forgotten.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
Insecure and balding Leo has closed himself in his apartment to try a hair growth liquid for fixing up his looks. As Leo tries to get his bodily changes under control the evening quickly turns into chaos.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Two men share an odd friendship while they care for two women who are both in deep comas.
What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.
It’s the middle of the 17th Century and a brother and sister are hiding in the garden of an isolated cottage in rural New England. When they enter the house and investigate the kitchen, they gorge themselves on the tempting cakes covering the table. It seems to good to be true.
An unspoken conflict is affecting the relationship between two brothers. Will Simon and Robin find the courage to talk about their issue?
