위안

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

Vietnam 1967: Military intelligence has collapsed, Viet Cong have infiltrated the clandestine American spy network, and the U.S. can't rely on the South Vietnamese. John Murphy, then an elite adviser, analyst, and operative for the Army, CIA, and South Vietnamese intelligence services, reveals the gray areas of critical, on-the-ground intelligence work, where trust is hard-won and easily lost.

This Pete Smith Specialty short focuses on the young men who have signed up for the U.S. Army. The film uses the analogy of the speed, accuracy, and teamwork of sports and how these qualities are translated into the weapons training of American soldiers. We watch target practice by Army personnel with shoulder weapons, mortars, and various artillery pieces.

A historical account of military policy regarding homosexuality during World War II. The documentary includes interviews with several homosexual WWII veterans.

They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

Following on from the story of Hell's Highway, the series reaches the battle to seize the great Bridges over two of Europe's largest water ways; the Maas and the Waal at Nijmegen. Here the 82nd US airborne were, as elsewhere, denied coup de main attacks to seize the bridges by the air commanders. While the Grave Bridge was captured, confusion in US orders meant that the barely defended bridge in Nijmegen was only attacked when the Germans had taken the opportunity to reinforce the garrison. The resulting battle to regain control of the situation is an epic of Anglo-American military history. This programme tells the story of the amazing courage of the American and British soldiers who won this battle against desperate odds.

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn't done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev's riveting and enraging documentary.