Indus Blues

The film based on a true story, tells the story of two soldiers who fought off an assault by 1500 attackers while defending section level outpost of an Infantry Battalion in South Waziristan Agency. 43 soldiers were killed in the battle on the night of 29 May 2009.

An expedition film in the form of a multi-voice travel diary, where all emotions pass through the spectators who are immersed for three weeks with these riders and guides in the Karakoram massif in Pakistan.

A Hazara film director follows a gravestone maker, a water girl and a man who buried his limb, as their daily lives unfold in a graveyard.

Madiha Aijaz’s observational documentary on public libraries in Karachi, Pakistan, provides an entry point into present-day Karachi, where irredeemable changes feel imminent. While the libraries become a bastion for the literary tradition of Urdu, their frequent visitors lament the increasing dominance of English – a residual reminder of colonialism, partition and the ‘globalising’ present. Wrapped in quiet solitude, seated readers are shown hiding away from the hustle and bustle of urban life that can be seen outside.

Sixteen-year-old Malala Yousafzai was shot in the head by the Taliban for being outspoken about her country’s education system. The Pakistani government spends seven times more on its military than on education. The Taliban banned girls from attending school. Pakistan’s literacy rate is among the lowest in the world, with the number of school aged children who don’t attend school is second highest globally. Malala survived and is now the youngest person to ever be awarded the Nobel peace Prize for her activism for female education. This is the story of Malala’s fight for a right to education and freedom.

This documentary film aims to highlight the current situation of LGBT people living in Pakistan.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Lahore, Pakistan. During a whole day, we follow Agha, a little boy who, to survive, collects waste in the street without caring about the world which surrounds him. He makes us share his moods and his vision of the life.

Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.

Social media superstar Qandeel Baloch pushed boundaries in conservative Pakistan like no other. In 2016, high on her newfound celebrity, Qandeel exposes a well-known Muslim cleric – with tragic results.