अत्कन् चत्कन्

A corrupt police officer enjoys all the perks of being an immoral and unethical police officer until an event which transforms his life completely and forces him to choose the righteous path.

Dan, a 21-year-old carefree boy is always surrounded by a bunch of friends and fellow hotel interns who feed off each other's everyday moments, their ups and downs. Shiuli is also an intern working in the same hotel, who at times is at a receiving end of Dan's audaciousness. Everything was normal in their life until a sudden turn of events smashes Dan and Shiuli's lives together, into a bond.

Sudhir, blind by birth, lives alone with his housemaid Bhavani. While Bhavani is out, he takes in Ali to help around the house. Both Bhavani and Ali grow envious of each other. Nazar Andaaz is a comedic yet heartfelt story of these three.

Middle-aged Noni finds unexpected joy when she develops feelings for her younger yoga instructor Anand, causing friction with her free-spirited sister Binni. Their late-life romance defies societal norms and expectations.

The film is set in the India of the tumultuous 1930's when nationalists fighting for the country's independence rose up as one, urging the British to quit. At this time, a young Indian, Kisna befriends and then shields a British girl Katherine, from an enraged mob of nationalists including Kisna's own uncle and brother. Katherine is the young daughter of a ruthless British collector. Kisna takes it upon himself to escort Katherine to the safety of the British High Commission in New Delhi, who will arrange for her to board a ship home. A tender attraction develops between Kisna and Katherine during the journey, a love story that is torn between 'Karma' (the noble deed) and 'Dharma' (the duty). Laxmi, the Indian girl Kisna is engaged to, forms the third point in an emotional triangle involving the Indo-British romantic pair

Mauji stays in a village near Delhi with his wife Mamta, father and mother. Varun works at a shop that sells sewing machines, owned by Bansal and his son Prashant. Both have a habit of ill-treating Mauji and make him do fun antics. When Prashant gets married, Bansal invites Mauji and his entire family. Mamta feels humiliated when she sees Mauji being asked to imitate a dog by the Bansals.

Sanju explores some of the most crucial chapters from movie star Sanjay Dutt’s dramatic and controversial real life. It gives a lowdown on his tryst with drugs and his trials and tribulations in the Arms Acts case and the 1993 Mumbai blasts.

The life of three friends takes a tragic turn due to an inflated electricity bill, which leads to a courtroom drama and social awakening.

An aspiring writer from a small town in U.P. runs away to Mumbai. He gives himself 30 days to try and prove his worth.

Set in either the 1950s or 1960s, Panchlait tells the story of a small village in North India that still has no electricity and its people live in darkness, engrossed in its own little sorrows and joys. Godhan, who belongs to the Mahato Tola of the village, is outcast from the village after he refuses to pay any part of his inheritance to the village and is falsely accused by Munri's mother for singing inappropriate Hindi songs for Munri. However, the day that the tola decides to celebrate by bringing in their own panchlight, the sarpanch realizes that no one from the tola apart from Godhan knows how to light the petromax. Keeping aside his ego, the Sarpanch annuls Gordhan's punishment and sends a word for him, who finally becomes a part of the tola and also helps the village in being lit up, becoming the hero in everyone's eyes.

Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.