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**Glenn Close shone in one of the most interesting films she's made in recent years.** Glenn Close is undoubtedly a great actress, with a lot of credit, even if she has terrible bad luck at the Oscars, with eight nominations and eight letdowns. I've seen several works that she really puts a lot of effort into, and this film is just one more. She had already played the same character on Broadway before, but this time in addition to being an actress, she was still dedicated to scriptwriting, production and other details. So, the film entirely bears the imprint of this great artist. Based on a fictional text, the film introduces us to a mature woman who, after a life of difficulties, decided to hide her gender and disguise herself as a man in order to work. So, Albert Nobbs is a shy and withdrawn woman who never lived a full life because of this lie. Her dream is to save enough to start her own business. He finally meets someone in a similar situation to her and gains the courage to woo Helen Dawes, a chambermaid at the same hotel where he works... but she's not entirely genuine in the way she lets herself be wooed. She has a boyfriend who is interested in Nobbs' savings. The film has an excellent initial premise and that works very well, but the truth is that the characters are too dense for a film that I would classify as a “light drama” given the inability to create a more tense and more serious atmosphere. To make things more difficult, the film is extremely slow and most of the characters don't evoke any sympathy, and they weren't particularly well-thought-out. The strongest point of the whole film is Close's enormous multipurpose exercise, who writes a song for the film, helps with the script, produces and still acts wonderfully. She gives Nobbs a typically British composure and sheer shyness that I thought suited the character. Mia Wasilowska does what she can and makes the most of her beauty and charm, but the character seems shallow and uninteresting. Aaron Johnson doesn't look bad to me either, but the truth is that he, like Pauline Collins and Janet McTeer, had almost no screen time. They are actors who have been set aside. Technically, the film has low-key production values and successfully seeks to set its story in the Dublin city of the late 19th century. The props, costumes and sets are what you would expect in a good movie. Cinematography is average, editing is not very good, dialogue is decent but not particularly good. The soundtrack has moments of quality and a lot of inspiration.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
A Gujarati housekeeper working in the United States, allows her ambitions to overpower her which leads her to get involved in the world of crime.
Since his wife's death, Andrew Blake is depressed. In an ultimate impetus, he leaves London to go back to France, in the house he met her. This journey through happy days memories won't go as planned.
A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.
A lower-class maid navigates the social world of the upper-crust family she works for.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
Based on the play by August Strindberg, Miss Julie vividly depicts the battle of the sexes and classes that ensues when Julie, a wealthy businessman's daughter, falls for Jean, her father's bitter servant.
In this true story, Veronica Guerin is an investigative reporter for an Irish newspaper. As the drug trade begins to bleed into the mainstream, Guerin decides to take on and expose those responsible. Beginning at the bottom with addicts, Guerin then gets in touch with John Traynor, a paranoid informant. Not without some prodding, Traynor leads her to John Gilligan, the ruthless head of the operation, who does not take kindly to Guerin's nosing.
Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed. As Mick moves the knife between their fingers, a train is heard approaching. What's Mick's purpose?