Sôber ‎– 20

Recorded during their 2023 world tour, which features songs spanning their three EPs, two albums and solo acts from every member of the multi million selling group.

Backed by an echoed horn music, the light passes through a magnifying glass. On the walls, they portrait pans being held on top of a stove.

This work provides full-scale documentation of ONE OK ROCK's 2013 "Who are you?? Who are we??" TOUR, which covered Asia and their first-ever European tour. Over the course of one and a half months, it traces the band's journey across 12 performances in 11 countries: France, Germany, the UK, the Netherlands, Hong Kong, South Korea, Thailand, Malaysia, Singapore, Indonesia, and Taiwan. The members deliver awe-inspiring live performances in venues packed with local fans, while the overwhelming enthusiasm of international audiences is vividly captured through live footage. The documentary is directed by **Hiroshi Nakano**, a visionary filmmaker known for revolutionizing music videos and directing feature films. With his extensive experience in capturing artists' essence, Nakano records ONE OK ROCK's evolving "present" as they carve their path into a new era.

Bona fide pop royalty sets hearts racing and feet dancing.

A computer generated fern follows a modular synthesizer soundtrack.

In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.

Jarre gave two charity concerts in June 2001 at the Herodion Atticus amphitheatre next to the Acropolis in Athens, for Elpida, a foundation to help children with cancer.

The movie contains two concerts of the British rock band Queen. The first concert is their show at Montreal in November 1981, with “Under Pressure” topping the charts in the UK, Queen arrived in Montreal following dates in Japan and their record-breaking tour of Latin America. It was to be the only concert by Queen that was ever shot on film. Always a great live band, with arguably the greatest frontman of all time in Freddie Mercury, they excelled themselves with the cameras rolling. The second concert is their live performance at Live Aid in 1985 with Queen's 24 minute contribution to 1985's Live Aid benefit concert held in Wembley Stadium, featuring an epic 7 song rock concert followed by a stripped back acoustic segment.

BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.