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There's a particular discomfort in discovering, after decades of historical education and over a hundred Holocaust-related films, that significant chapters of atrocity have remained invisible to me. "Dara of Jasenovac" delivers precisely this uncomfortable revelation, chronicling horrors at Croatia's Jasenovac concentration camp - a genocide I had never encountered in history books or cinema. Predrag Antonijevic's unflinching film follows ten-year-old Dara through what was sometimes called "the Auschwitz of the Balkans", where the fascist Ustase regime murdered primarily Serbs, but also Jews, Roma, and political dissidents. That such a significant murder camp could remain relatively unknown in the Western conscious speaks to the politics of historical memory. What distinguishes this story is not just its focus on a lesser-known atrocity, but its disturbing examination of Croatia's independent enthusiasm for mass murder, without direct Nazi management. "Dara of Jasenovac" functions as both historical correction and cold mirror. The film's most devastating insight is not historical but philosophical. Through Dara's eyes, we witness the seamless transformation of ordinary people into monsters. Unlike the bureaucratic, industrialized killing of Nazi death camps, Jasenovac reveals something more primal - the apparent eagerness with which humans will torture and murder their neighbors when given permission by authority. The film's power comes largely from its uncompromising realism. Antonijevic's direction, the haunting cinematography, meticulously detailed sets, and the extraordinarily naturalistic performances - especially from Biljana Cekic as Dara - create an immersive historical world that feels horrifyingly authentic. Cekic's performance is remarkable for its restraint; her watchful eyes become our lens into this nightmare. This movie raises the questions "How could this specific atrocity be forgotten?", and the more significant "What within human nature makes such cruelty possible?" Both these questions are terribly uncomfortable. The latter even more terrifying in the light of the rise of fascist power in the United States. That humans so readily inflict suffering on one another when ideologically sanctioned, casts the lens on the darkest side of our human nature. "Dara of Jasenovac" is difficult, necessary cinema that reminds us that the phrase "never again" remains hollow so long as significant chapters of atrocity remain unacknowledged and the human capacity for cruelty remains unexamined.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.
This is the true story about a group of Romani's (gypsy) in occupied Poland during World War II as they confront the atrocities and tragedies of a forgotten holocaust.
After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
See Kenneth W. Rendell's collection of over 6,000 artifacts that range from the end of World War I and the rise of Nazism to the start of World War II and the fight in Europe and the Pacific.
During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.