Le Procès du viol

Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.