Split

A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.

Three student filmmakers run into trouble in the woods as they set out to make a documentary about the Blair Witch. This is a short parody of "The Blair Witch Project".

A Spanish teacher and her student develop an unexpected friendship.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

i got to meet mario and i really rally love mario and i think mario would easily defeat sonic the hedgehog in a fight and would make a great choice as the new president of america thank you for watching my video

South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus's crew joining, they record an audio commentary track for his new elegiac feature documentary Razzennest. But the session goes down a different path... cazzart! The ultimate elevation of arthouse horror, just not as you might expect.

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

One family. One weekend. One hell of a home video. Births, Deaths and Marriages is a slice of life kiwi comedy about life, death and everything in between.

JC (Alexander Polli) is a B.A.S.E. Jumper, a global playboy who lives his life quite literally on the edge, pursuing man’s greatest dream – to fly. When a jump goes wrong, that dream is violently shattered. Haunted by the event, JC is drawn to his best friend’s lover, ASH (Julie Dray), as he pushes himself harder than ever before – flying lower, closer, faster and recording every moment on film. Soon JC’s dark descent threatens not only his own life but the lives of all those around him. BASE follows a man over the edge and watches him fall.

Contract killer Frank Zimosa has been hired for a ridiculously lucrative mission by the rich and powerful Jorge Mistrandia. The objective: kill a couple of people hiding in one of his European hotels. What would look like one of the simplest jobs Frank has ever had is about to turn into a living nightmare. He will soon realize he's nothing more than prey for Mistrandia and his army of mutated henchmen that have hiding in the hotel along with an ancient and unstoppable horror.