The Horror Crowd

An hour-long documentary featuring interviews with various filmmakers who've made a name in the direct-to-video market.

In 1993, Jesús Parrado interviewed actor and director Jacinto Molina, world-wide known as Paul Naschy, and director Amando de Ossorio, two key figures of the Spanish fantasy cinema. In 2019, part of this footage is rescued. The rest has lost forever.

Hour long documentary features interviews with filmmakers, actors and others who work low budget movies.

Subtitled "Bloopers, Babes and Blood!," this video features scenes from numerous CInema Home Video releases as well as behind the scenes footage and bloopers from Nightmare Sisters (1988) and Dr. Alien (1989).

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Take a front row seat as we sit down to chat with some of the creators and stars of the best and most beloved exploitation and grindhouse films of the 1970s and 80s. Featuring interviews with John Dugan (The Texas Chainsaw Massacre), Craig Reed (The Re-Animator), John Russo (Night of the Living Dead), Lynn Lowry (The Crazies), Carl Crew (Blood Diner), and many more independent horror veterans.

A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.

A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.

In 1990 Barry J. Gillis began shooting wicked world on 16mm film. Eddie Platt, took his video camera along to many of the locations, capturing footage of the insane Movie Shoot.