The Old Mill

A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.

Facing mounting insect deaths, concerned bugs view a documentary film about Sherwin-Williams's lethal new PESTROY pesticide coating.

A sci-fi horror film based on the story by Stephen King. A first person POV perspective allows the audience to get inside the head of an astronaut trapped in a spaceship, as a strange virus grows inside him, altering his mind. To save himself he must take drastic action.

Michele Bernardi has created a portrait of the dancer and choreographer Pina Bausch (July 27, 1940-2015), inspired by various film and video clips of her in the incessant studio of movement. The animation is rotoscoped and it recapture the almost abstract quality of dance. The soundtrack by Luca D’Alberto enhances the succession of images and recomposes a unique cameo whom the legendary Pina she is.

A high-rise apartment populated by models, nightclub dancers and call girls becomes the focus of a mysterious serial killer. When a young model named Jennifer and her friend Marilyn move into one of the victims' former apartments, Jennifer becomes the next target and the pair try to identify the killer.

A stop-motion puppet animation adaptation of Hans Christian Anderson's tale The Ugly Duckling.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

The fourth instalment of the Deadly Scent adventure series of short films, in which Zea and Lucius this time resist the snares of the criminal Dr. Goad under the surface of the sea.

Nova, immersed in metaphors that cross her unconscious, is guided by fate, door to door.

In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).