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Dead among the living and living among the dead. The Lost Moment is directed by Martin Gabel and adapted by Leonardo Bercovici from the Henry James novel, The Aspern Papers. It stars Robert Cummings, Susan Hayward, Agnes Moorehead and Eduardo Ciannelli. Music is by Daniele Amfitheatrof and cinematography by Hal Mohr. Lewis Venable (Cummings) is a publisher who travels to Venice in search of love letters written by poet Jeffrey Ashton. Insinuating himself into the home of the poets lover and recipient of the letters, Juliana Bordereau (Moorehead), Venable finds himself transfixed by the strangeness of the place and its inhabitants, one of which is Juliana's off kilter niece, Tina (Hayward). A splendid slice of Gothicana done up in film noir fancy dress, The Lost Moment is hauntingly romantic and ethereal in its weirdness. It's very talky, so the impatient should be advised, but the visuals and the frequent influx of dreamy like sequences hold the attention right to the denouement. The narrative is devilish by intent, with shifting identities, sexual tensions, intrigue and hidden secrets the orders of the day. Cummings is a little awkward and his scenes with Hayward (very good in a tricky role) lacks an urgent spark, while old hands Moorehead (as a centenarian with an outstanding makeup job) and Ciannelli leave favourable marks in the smaller roles. Mohr's (The Phantom of the Opera) photography is gorgeous and bathes the pic in atmosphere, and Amfitheatrof's musical compositions are powerful in their subtleties. As for Gabel? With this being his only foray into directing, it stands as a shame he didn't venture further into the directing sphere. 7/10
When opportunistic publisher "Lewis Venable" (Robert Cummings) sets out to track down some long-lost love letters from recently re-discovered poet "Jeffrey Ashton", he ends up in a Dickensian-style mansion house where the writer's former mistress, the very elderly "Juliana" (an almost unrecognisable Agnes Moorhead) dressed in black, sits in her chair most of the time with frustrated daughter "Tina" (Susan Hayward) tightly wound up living the life of a caged bird. Rather than come clean about his motives, "Venable" poses as a novelist to ingratiate himself with the women - but soon, is embroiled in a complex intrigue involving the two ladies and the letters. Hayward is super - she exudes an eeriness and almost schizophrenic charisma as the young woman who seems caught in a time loop unsure as to whether she is "Tina" or her own mother. The haunting music from Daniele Amfitheatrof (and a tiny bit of Caruso too) helps build the tension carefully and effectively as the significance of the letters becomes more evident and poignant to the predicament of the women - and increasingly, their guest. Cummings is OK, he has an innate blandness about him to watch, but he has a good script to work with and good to foil to act with, and the pot stays boiling til very near the end.
When Longfellow Deeds, a small-town pizzeria owner and poet, inherits $40 billion from his deceased uncle, he quickly begins rolling in a different kind of dough. Moving to the big city, Deeds finds himself besieged by opportunists all gunning for their piece of the pie. Babe, a television tabloid reporter, poses as an innocent small-town girl to do an exposé on Deeds.
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
It's graduation day at Huntington Hills High, and you know what that means - time to party. And not just any party, either. This one will be a night to remember, as the nerds become studs, the jocks are humiliated, and freshman crushes blossom into grown-up romance.
Aging publisher Will Randall is at the end of his rope when a younger co-worker snatches his job out from under his nose. But after being bitten by a wolf, Will suddenly finds himself full of youthful vigor. As he struggles to regain his position, he becomes enthralled with Laura Alden, his former boss's daughter. And, as increasingly animal-like urges begin to overwhelm him, Randall worries that he may be turning into the creature that bit him.
A woman finds a romantic letter in a bottle washed ashore and tracks down the author, a widowed shipbuilder whose wife died tragically early. As a deep and mutual attraction blossoms, the man struggles to make peace with his past so that he can move on and find happiness.
It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.
Linda, the wife of a publishing executive, suspects that her husband Van’s relationship with his attractive secretary Whitey is more than professional.
A tale of the World War I love affair, begun in Italy, between American ambulance driver Lt. Frederic Henry and British nurse Catherine Barkley. Eventually separated by Frederic's transfer, tremendous challenges and difficult decisions face each as the war rages on.
Long-nosed Cyrano de Bergerac helps an army officer woo Roxane, the woman he loves.
Stroud, a crime magazine's crusading editor has to post-pone a vacation with his wife, again, when a glamorous blonde is murdered and he is assigned by his publishing boss Janoth to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence (albeit wrong) that he is the killer.