Marilyn Chambers' Private Fantasies 2

The writer, whose manuscript is not well written, heads to the pension alone to write, and then directs her to the script. As soon as she enters the pension, the stressed woman takes off her clothes and begins to write. When she writes while masturbating because of emotion in her writings, she also hangs up, telling the director not to bother her when the call arrives. The next day, when the contact with the writer is lost, the director worried about the script comes to the pension where the writer is. The director asks the writer not to be too filthy, but to write a quality script, and they write the script together, and gradually the strange feelings of each other begin to flow...

Carol, timid and reserved, doesn't like to go out and party. But when she finally decides to step out of her comfort zone and go to a bar, Carol discovers a side of herself she's never seen before. After witnessing erotic episodes amongst the bar staff, she begins to get in touch with her sensual side, proving to everyone she meets that she's definitely a bar hopping hottie!

Amélia begins to sing in her husband's church, Preacher Sérgio, and from then on she becomes aware of her annulment and servitude. Through her fantasies, she recognizes herself as a woman and recovers her own voice.

Having suffered the loss of their plane, three pilots inexplicably find themselves stranded in the middle of the desert. While following the perilous and unpredictable course that will ultimately lead them home, they fall prey to visions and must confront the siren call of their own strange fantasies. With Pilots on the Way Home, Priit and Olga Pärn (Divers in the Rain) have created a new, satirical meditation on male-female relations. The film tackles masculinity and the male psyche with the same pointed sense of the absurd that has marked Priit Pärn's previous films. Pilots on the Way Home is also a journey through time and space, and to the universal sources of artistic eroticism. Olga Pärn is a master of the art of animating sand, giving Priit Pärn's unique line drawings a warm and subtle texture reminiscent of etching. Her work is perfectly matched to the impassioned beats of this tale. - Written by NFB

Tina Ti leads a star-studded cast in this hilarious farce as a pickpocket who, while fleeing the police, stumbles into an apartment occupied by seven single men. All hungry for a woman's affection, the men agree to take her in. However, what she doesn't know is that each of the men is coming up with ridiculous ways to have their way with her. A surreal comedy about sexual repression and sexual fantasies, the film mocks the desperate measures people take in the name of sexual gratification. Even though it is an erotic comedy at heart, it is never lewd or exploitative. In fact, like other Cantonese films at the time, the story even ends on a moralistic note as Tam Bing-man's character convinces the pickpocket to turn herself in and mend her ways.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

A neglected and frustrated wife looks for satisfaction outside her marriage and gets involved with a group of hippies.

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

An anthology, based on the comics of the same name by Glenn Danzig, in which the erotic and horrific combine to create multiple ghoulish tales of bloodlust, murder, the occult and the forbidden.