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Fulci’s Feral Food Feast. Being of a “certain” age and being British, I was firmly around at the time of the ridiculous “video nasty” mania that swept the UK in the early 1980s. Films that usually involved cannibals, either ferox, holocaust or zombified, and torture porn revengers et al, were banned, prosecuted or given a Viking burial at sea. One such film was Zombie Flesh Eaters (the best title the film has of the few it is known by), it became like the Holy Grail of video nasties, where to see it uncut would be like witnessing the last miracle performed by Christ. I never did get to see it back then, and as my horror leanings waned over the years I let it drift from my conscious. But now I’m here in my middle age and finding a new appetite for horror, I have finally managed to see the fabled shocker from Lucio Fulci. In many ways it’s a disappointment, I mean I understand that to view it now is never going to impact in the way that it did (could) in 1979, but casting aside for a moment the gore scenes, which I will get to, it’s a bad film awash with badness, and not in a horror bad ass way. Much like the other Fulci film I viewed recently, The House By The Cemetery, ZFE is a series of blood and guts scenes strung together by amateurish filler. Be it bad acting, bad dubbing, hopeless dialogue and half hearted attempts at something cranial. However, if judging this particular Fulci film on its key horror scenes? Then it’s got brains, imagination and style to burn. Marking it out as by definition a mixed bag genius disaster! The zombies themselves are brilliant creations, all dripping with rotting flesh, caked in earth and having mother nature’s insect creatures wriggling around their ravaged bodies. They shuffle along in classic Romero mode, and feast on flesh with carefree abandon. They are also perpetrators of some of zombie cinema’s best moments, such as fighting a shark on the ocean bed, pulling a hapless female victim onto a wooden splinter – eye first! And one scene where they collectively rise slowly from the earth is atmospherically as creepy as it is stunning in its execution. It is these things that of course helped to make it a legendary part of the Italian Exploitation era, and it’s these things that make it watchable still today, but let it not be said there is anything else worthwhile, because the rest is simply awful. 6.5/10
in my opinion, quite simply the best CLASSIC zombie movie ever made
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
A rare book dealer finds himself at the heart of a string of paranormal events when he is hired to find the last two copies of a text, The Nine Gates of the Kingdom of Shadows, capable of summoning the Devil.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
In 1979, a group of college students find a Sumerian Book of the Dead in an old wilderness cabin they've rented for a weekend getaway.