Safety Third

The "Lyon Premier 8000-Gasherbrum II 8035m" expedition, organized and led by Jean-Pierre Frésafond in 1975, was sponsored by the Lyon section of the Club Alpin Français and by Louis Pradel, Mayor of Lyon. The film traces the departure from Lyon of Berliet heavy trucks loaded with equipment, daily life in Pakistan, preparation for the expedition and the approach march with the porters, daily life at the base camp and in the camps. altitude of the members of the expedition: L. Audoubert, Marc Batard, F. Bourbousson, A. Chariglione, J. Dupraz, J.J. Forrat, H. and JP. Frésafond, B. Macho, Doctor A. Raymond, Y. Seigneur, J. Soubis, F. Valençot, B. Villaret de Chauvignypuis. Finally On June 18, 1975, Yannick Seigneur and Marc Batard reached the summit by opening a route along the south ridge. Bernard Villaret de Chauvignypuis, who was killed during the second assault, was the first victim of the Gasherbrum.

Transcending cultural barriers and consistently going against the grain, female Nepali climber Pasang Lhamu Sherpa attempted to summit Everest four times in the early nineties. Although she was not allowed to attend school as a child, Pasang did not let that stop her from pursuing her dreams. After founding her own trekking company in Kathmandu, she blazed a trail for Nepali women via her efforts to summit Everest. Proving how big you can dream and how far you can go to achieve those dreams, she left a legacy not only for the family she has left behind, but for the myriad women following in her footsteps.

Nine famous faces are pushed to their physical and emotional limits in a valiant attempt to scale Mount Kilimanjaro, Africa's highest mountain, to raise money for Comic Relief and help change lives this Red Nose Day, with their turmoil and triumphs revealed in Kilimanjaro: The Bigger Red Nose Climb.

Two of Britain’s top free climbers decide to take on one of Yosemite’s most awesome lumps of granite: the thousand vertical metres of El Capitan – via it’s hardest line – with no experience of big walling whatsoever. Fired up on a diet of bagels, the climbers, Rich and Neil, set off to do battle with the dizzying exposure and raking crack lines of this historic face. The ensuing agony is captured in this spectacularly shot film, that exudes passion and humour and takes a refreshingly honest look at living 6 days in the vertical world.

"Flammes de Pierre" is the first documentary made by Gaston Rébuffat himself in 1947. It depicts Rébuffat in full ascent of the Flammes De Pierre, wild ridges in the heart of the Mont Blanc massif overlooking Chamonix. Like Roger Frison-Roche, Walter Bonatti, René Desmaison or Giusto Gervasutti, Gaston Rébuffat has written and filmed the great pages of contemporary mountaineering but above all, he knew how to talk about it with enough poetry so that it is not simply airtight race stories for spectators. Stories that have been triggers for many readers, who have come to know “stone flames” thanks to him.

In 1915, the First World War is in full swing and young men are called to military service in rows - including Franz and Peter. Both are sent to the Dolomite front, in order to fend off a threatened Italian attack. Comradeship and loyalty are needed in the fight, but Franz and Peter are ever enemies. Since Peter's romance with Anna, the competition between the two flares up more. But the circumstances of the war and the harsh weather in the mountains soon end those hostilities.

They call it the savage mountain. 27 people have perished trying to reach the summit on K2, the world's second highest peak. A U.S. climbing team, funded by millionaire Clairborne is determined to conquer K2.

"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.

A Nepali mountaineer risks everything on a record-breaking Mount Everest climb to secure a brighter future for her daughters.