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A group of twenty-somethings have rented a "literal" mansion (I wish writers would find out what that word means and use it properly!) and are having a few fireside beers outside it whilst subjecting us to their dull relationship issues. Needless to say the gang are a politically correct assemblage that tick just about every box and are frankly all pretty well deserving of what's to come. On that front, the clue's in the title. Exploring the house looking to top up their supply of booze, they find a locked room full of all things occult and that includes an unique set of tarot cards. Rather foolishly, but typically disparagingly, they demand that "Haley" (Harriet Slater) read their fortunes. Next thing they are dropping like flies - all in a manner they gradually realise is akin to the results of the tarot reading. As they gruesomely dwindle, they realise that they are going to need some help and so thanks to Google spook, they find a woman (Olwen Fouéré) who informs them of the bleak history of their toxic tarot and tells them that the cards' destruction might be their only road to salvation. Thing is, can they survive long enough to get back to the house? There's nothing at all original here, sorry. We've seen it loads of times before and the uninteresting dynamic between the characters is even more predictable than the denouement. To be fair, the candle-lit visual effects are quite effective at times, but the acting is pretty dreadful and the whole frat-like presentation left me looking at the clock after half an hour. It's a shame. The whole astrology and mythology surrounding the tarot could have offered us a rich vein to tap into and exploit, but here we simply get a rather lazy and formulaic light-horror enterprise that's really devoid of much imagination. Literally.
Can't have a movie with people of color or women anymore without someone being racist and sexist. That being said, this movie is... well, it's not the worst thing I've seen but that doesn't make it good either. The premise is a group of young adults go playing with tarot cards that don't belong to them and then the tarot cards come to life and start doing the murder because curses and vengeful spirits, also horoscopes and astrology are all the rage again, apparently. There's nothing new or original here and apart from one jump scare that got me, it's quite boring. There's one redeeming thing about this movie - it doesn't sequel-bait. It ends with some comedy and that's it. Thank goodness. I skipped watching The First Omen (2024) after about 25 minutes to watch this. I should've skipped this too and just watched another episode of FBI. Can we get some actual good horror this year?
Aside from the novel pitch for diversity, does anyone really have this many diverse friends?, there's nothing terribly inspiring on offer with Tarot. To be fair Tarot has decently creepy visuals, a few well placed jump scares and tolerable acting. That said, its let down by a lack of originality, combined with an ultimately repetitious horror theme, that plays over and over, quickly becoming stale. In summary, what this film needed most was an injection of at least little originality and diversity of the story telling kind. Suffice to say, its mediocre rating, with me at least, was very much, on the cards....
Tarot is another PG-13 "horror" film using all the cliches and tropes from every other millennial horror film released in the past ten years. Filled with bad CGi, super-fast moving black-eyed "ghosts," and generic jump scares, along with a badly written and poorly acted script , you are in for a real treat with this one, people. All the violence is off screen and the ending is poorly written and predictable from the beginning.
"Tarot," directed by Marielle Heller, is a captivating supernatural thriller that delves into the world of tarot card reading. Anya Taylor-Joy shines as the lead, portraying a character whose life becomes entangled with the predictions of a mystical tarot deck. The film's atmospheric visuals and compelling narrative keep viewers engaged, blending suspense and drama effectively. Supported by strong performances from Willem Dafoe and Tilda Swinton, "Tarot" explores themes of fate and self-discovery with a thought-provoking script. Overall, it's a visually stunning and engaging film that offers a fresh take on supernatural storytelling.
Tarot was a terrible horror movie from start to finish. It’s another low-budget studio horror film that relies heavily on formulaic tropes, stacking one cliché after another in a convoluted story that makes no sense. The plot is riddled with the usual horror clichés, making it predictable and uninspiring. For instance, the film features the classic haunted object, the mysterious stranger, and the inevitable jump scares. These elements, rather than building suspense or adding depth, only serve to make the narrative feel tired and unoriginal. The lack of creativity in the storyline means that even potential twists are telegraphed far in advance, leaving little room for genuine suspense. The only bright spot in the film is Jacob Batalon, who adds some much-needed comedy to the otherwise dreary proceedings. His comedic timing provides brief relief from the monotony and gives the audience something to enjoy amidst the chaos but does little to improve the movie. Even the horror elements, which should be the film’s strength, are poorly executed. The scare scenes are predictable and lack the punch necessary to leave a lasting impact. The build-up to these moments is often clumsy, with telegraphed scares that fail to deliver the desired jolt. On The Scene Snobs Channel, we believe that if you don't like a movie, you should recommend another. If you are not a fan of Tarot, I suggest watching 'Dead Silence' from 2007. This film offers a more engaging and original take on horror, with a well-crafted story and genuinely creepy moments.
The best thing I can say is this wasn't terrible. Just not good either and should've leaned into a mix of horror and comedy which they briefly did at the very end. Otherwise there's nothing that stands out from the bland characters and visual effects that look like leftovers from The Conjuring Universe. Nothing memorable and lands right there with other poor supernatural-horror flicks like Truth or Dare and Ouija. **2.0/5**
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't suspect that both his new girlfriend and twelve-year-old daughter may be closer than he is to finding the killer.
The “Summer Camp” horror trilogy was one of the most popular franchises of the 1980s. However, the decade ended and so did director Julian Barrett’s career. Now Barrett plans to resurrect his gory series via a modern reboot patterned after reality filmmaking. With his former leading lady and an eclectic group of 10 young “contestants,” Barrett returns to the same locale where his old splatter-fests were filmed. When one of the campers is found savagely murdered, they realize there’s more at stake than just fame and fortune. Each of them is in a fight for their lives as they realize summer is over – forever.
A sadistic psycho, disguised as a military man and wearing a helmet, attacks and murders (mostly) women in a small town. It's up to the police captain and his girlfriend (who must act as a decoy) to stop him.
A fashion designer gives a private showing at her mansion over a weekend, but someone starts killing off the models.
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Dr Dilf, Nurse Meow and Nurse Spanks are trying to create a cure to the anti-death gas which was accidentally unleashed in the last film. The good doctor and his half dressed nurses are against the clock as a killer is after them and is determined to hunt them down.
Three college students, Phil, Ed, and Henry take a road trip into Mexico for a week of drinking and carefree fun only to have Phil find himself a captive of a group of satanic Mexican drug smugglers who kill tourists and whom are looking for a group of new ones to prepare for a sacrifice.