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Casualty - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
A group of twenty-somethings have rented a "literal" mansion (I wish writers would find out what that word means and use it properly!) and are having a few fireside beers outside it whilst subjecting us to their dull relationship issues. Needless to say the gang are a politically correct assemblage that tick just about every box and are frankly all pretty well deserving of what's to come. On that front, the clue's in the title. Exploring the house looking to top up their supply of booze, they find a locked room full of all things occult and that includes an unique set of tarot cards. Rather foolishly, but typically disparagingly, they demand that "Haley" (Harriet Slater) read their fortunes. Next thing they are dropping like flies - all in a manner they gradually realise is akin to the results of the tarot reading. As they gruesomely dwindle, they realise that they are going to need some help and so thanks to Google spook, they find a woman (Olwen Fouéré) who informs them of the bleak history of their toxic tarot and tells them that the cards' destruction might be their only road to salvation. Thing is, can they survive long enough to get back to the house? There's nothing at all original here, sorry. We've seen it loads of times before and the uninteresting dynamic between the characters is even more predictable than the denouement. To be fair, the candle-lit visual effects are quite effective at times, but the acting is pretty dreadful and the whole frat-like presentation left me looking at the clock after half an hour. It's a shame. The whole astrology and mythology surrounding the tarot could have offered us a rich vein to tap into and exploit, but here we simply get a rather lazy and formulaic light-horror enterprise that's really devoid of much imagination. Literally.
Can't have a movie with people of color or women anymore without someone being racist and sexist. That being said, this movie is... well, it's not the worst thing I've seen but that doesn't make it good either. The premise is a group of young adults go playing with tarot cards that don't belong to them and then the tarot cards come to life and start doing the murder because curses and vengeful spirits, also horoscopes and astrology are all the rage again, apparently. There's nothing new or original here and apart from one jump scare that got me, it's quite boring. There's one redeeming thing about this movie - it doesn't sequel-bait. It ends with some comedy and that's it. Thank goodness. I skipped watching The First Omen (2024) after about 25 minutes to watch this. I should've skipped this too and just watched another episode of FBI. Can we get some actual good horror this year?
Aside from the novel pitch for diversity, does anyone really have this many diverse friends?, there's nothing terribly inspiring on offer with Tarot. To be fair Tarot has decently creepy visuals, a few well placed jump scares and tolerable acting. That said, its let down by a lack of originality, combined with an ultimately repetitious horror theme, that plays over and over, quickly becoming stale. In summary, what this film needed most was an injection of at least little originality and diversity of the story telling kind. Suffice to say, its mediocre rating, with me at least, was very much, on the cards....
Tarot is another PG-13 "horror" film using all the cliches and tropes from every other millennial horror film released in the past ten years. Filled with bad CGi, super-fast moving black-eyed "ghosts," and generic jump scares, along with a badly written and poorly acted script , you are in for a real treat with this one, people. All the violence is off screen and the ending is poorly written and predictable from the beginning.
"Tarot," directed by Marielle Heller, is a captivating supernatural thriller that delves into the world of tarot card reading. Anya Taylor-Joy shines as the lead, portraying a character whose life becomes entangled with the predictions of a mystical tarot deck. The film's atmospheric visuals and compelling narrative keep viewers engaged, blending suspense and drama effectively. Supported by strong performances from Willem Dafoe and Tilda Swinton, "Tarot" explores themes of fate and self-discovery with a thought-provoking script. Overall, it's a visually stunning and engaging film that offers a fresh take on supernatural storytelling.
Tarot was a terrible horror movie from start to finish. It’s another low-budget studio horror film that relies heavily on formulaic tropes, stacking one cliché after another in a convoluted story that makes no sense. The plot is riddled with the usual horror clichés, making it predictable and uninspiring. For instance, the film features the classic haunted object, the mysterious stranger, and the inevitable jump scares. These elements, rather than building suspense or adding depth, only serve to make the narrative feel tired and unoriginal. The lack of creativity in the storyline means that even potential twists are telegraphed far in advance, leaving little room for genuine suspense. The only bright spot in the film is Jacob Batalon, who adds some much-needed comedy to the otherwise dreary proceedings. His comedic timing provides brief relief from the monotony and gives the audience something to enjoy amidst the chaos but does little to improve the movie. Even the horror elements, which should be the film’s strength, are poorly executed. The scare scenes are predictable and lack the punch necessary to leave a lasting impact. The build-up to these moments is often clumsy, with telegraphed scares that fail to deliver the desired jolt. On The Scene Snobs Channel, we believe that if you don't like a movie, you should recommend another. If you are not a fan of Tarot, I suggest watching 'Dead Silence' from 2007. This film offers a more engaging and original take on horror, with a well-crafted story and genuinely creepy moments.
The best thing I can say is this wasn't terrible. Just not good either and should've leaned into a mix of horror and comedy which they briefly did at the very end. Otherwise there's nothing that stands out from the bland characters and visual effects that look like leftovers from The Conjuring Universe. Nothing memorable and lands right there with other poor supernatural-horror flicks like Truth or Dare and Ouija. **2.0/5**
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
An invitation to the class reunion has arrived. It was a pension in Shinshu that she visited five years ago during a tennis training camp for my high school club. One girl who was there committed suicide. Why a class reunion in such a place... Six friends and one teacher meet again after a long time. From that night onwards, a series of murders begins, with participating women being brutally raped and then killed. What was the criminal's intention? Who will be killed next? While everyone trembles in fear, the evil hand finally approaches the office lady...
Several murders have taken place in London. All the victims are prostitutes and the murderer is using the same techniques as Jack the Ripper. Peter Dockerman, an ex-acrobat and husband of one of the victims is the prime suspect. But whoever the killer is has cannibalistic tendencies and if Scotland Yard doesn't solve the murders quickly the evidence just might be eaten!
The overnight stock crew of a local supermarket find themselves being stalked and slashed by a mysterious maniac.
A deranged killer wearing a clown mask begins preying on a group of young women working at a phone-sex company.
The monstrous offspring of a violent crime grows up in seclusion on a remote island, where a boat-full of hapless teens have shipwrecked, unaware of what's lurking in the woods.
The young athletes of Falcon Academy are training hard to earn their place in the nationals. But when these burgeoning sports stars start disappearing one after the other, Dr. Jordine and his team - who’ve started plying their athletes with new and untested performance-enhancing drugs - are baffled.
Alex Ritt, a music video director comes to Italy to direct a video for pop sensation Stefania Stella. He soon encounters a mysterious killer who videotapes his victims for the police. As the horrible murders continue, Ritt is unknowingly pushed into the killer's games and he soon becomes a target of the police. The video-killer is on the loose and Ritt must find out the truth before it's too late.
After a doctor kills his mistress and himself while researching the mysterious previous owner of his Boston home, his colleague, Dr. Norman Boyle, takes over his studies and moves his family into the Boston mansion. Soon after, Boyle's young son Bob becomes plagued by visions of a young girl, who warns him of the danger within the house.
A mute woman, traumatized by her parents' death, faces new horrors when her cousin is murdered by a suspected killer. As danger looms, the truth proves far more complex.
A group of young friends go hunting during their holidays near a small town in Texas, where the father of one of them own a piece of land. But the place has a legend. Years ago the grandfather stole the land from the Indians and they cursed the family. The curse is effective once every 10 years. 20 years ago the grandfather was killed, 10 years ago an uncle disappeared, and now...