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Much more heartfelt than expected - pleasingly so! 'The Phantom of the Open' is a very sweet film, with Mark Rylance being the absolutely perfect lead for it - great performance from him! I also enjoyed the humour, with many lines amusing me - including one that was lost in translation... It's a great (based on a true) story, one I had somehow never heard of even as a sports (golf much less so, admittedly) fan; I did slightly recognise the name Maurice Flitcroft though. Even if you don't follow golf, it definitely works as a standalone thing and it doesn't heavily focus on the sport anyway; much more to it. Pretty neat to see Craig Roberts direct (his third, but first I've seen) this - I remember watching him act in TV's 'The Story of Tracy Beaker' when I was a kid. Well in, Rio Wellard!
Based on the true story of Maurice Flitcroft who was almost as bad a golfer as me, Mark Rylance is on super form. He works at the Barrow-in-Firness shipyard just as it's about to be wound down. Looking for something new to do, he alights on golf - a game he is singularly useless at. Having managed to enter the Open Championship and shoot a round of 121, just about everyone at the R&A wants to be shot of him - and so begins quite an engaging depiction of just how he tried to thwart them and play again. To be fair to Flitcroft, his golf did improve as his mantra of practice, practice, practice began to pay off. Sally Hawkins appears only sparingly, but is quite a good foil as his wife Jean and Rhys Ifans is also quite entertaining as the St. Andrew's man determined that our "phantom" should never pick up a club again. The narrative is amusing, but it also swipes at the cliquey, snobby, culture that prevailed at golf clubs unwilling to welcome a working class man. Clearly, Rylance was up for the part. He is enjoying himself and that is contagious. Maybe you wouldn't want to get into a golf buggy with him, or his slightly dodgy pal Cliff (Mark Lewis Jones) but a bit like "The Duke" (2020) it's a charming and characterful British film that does raise a smile.
PHANTOM OF THE OPEN is a hilarious true story of the world's worst golfer, Maurice Flitcroft (played by Mark Rylance). In 1976, Maurice tried to qualify for the British Open and shot the worst round in history. Despite his lack of skill, Maurice became a folk hero and inspired other dreamers to never give up. Craig Roberts directs the film with a light touch, making the most of the absurd situations Maurice finds himself in. Rylance is terrific in the lead role, infusing the character with both humour and pathos. The supporting cast is also excellent. The fact that the story of PHANTOM OF THE OPEN is true is astounding and, as the plot unfolds, it becomes increasingly jaw-dropping. This is a feel-good film with a message that will resonate with anyone who has ever had a dream. It's also extremely funny and very entertaining. Even if you're not a fan of golf, PHANTOM OF THE OPEN is sure to make you laugh. It's the perfect feel-good movie that will leave you feeling inspired. Highly recommended.
It is a cliché that there are some performers people would watch reading from a phone book. An exaggeration, perhaps, but the leads in this movie, Mark Rylance and Sally Hawkins, approach that status for me. I also appreciated and recognized Mark Lewis Jones, though I knew not from where as I watched. As it happens, he had starred masterfully in the modern classic limited dramatic series Chernobyl. But this film is not nearly as serious as that excellent work, focusing as it does on a minor tragedy, which is to say the personal travails of a novice golfer. He takes up the sport innocently believing he can practice his way to being able to play with the big boys, but only manages to entertain rather than excel. The movie is not a tragedy or even a serious drama really, but rather a feel good biopic of an Everyman who achieved fame of a sort by sticking with an impossible dream. It is not a subtle or particularly deep movie, so I don’t believe I will watch it more than once as I have other films these actors have starred in, but it was a fun watch.
A tireless and charismatic novelty seeker, Tucker tricks his buddy Dan into lying to his fiancée Kristy, so they can go to an legendary strip club three and a half hours away to celebrate Dan’s last days of bachelorhood in proper style.
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
A woman who has confronted the sour side of success finds love and discovers herself in this made-for-TV drama. Nikka (Vanessa Bell Calloway) is a writer who enjoys unexpected success with her first novel, but her brush with fame and fortune has a serious downside when she's threatened with legal action by the Internal Revenue Service for non-payment of taxes. Turning to her family and friends for help, Nikka's new life begins to fall apart, but she begins to develop a greater sense of herself in the process, and she decides to take a trip to Africa in hopes of coming to terms with her heritage.
One late night in June 1942, Sakuma Seitaro dangles from the frame of a skylight in an isolation cell in Akita Prison. He forces open the glass window and breaks out of jail. This crime even reaches the ears of Urata Susumu, the chief warden of Kosuge Prison in Tokyo. Urata had been in charge of those sentenced to life in the prison until last year. Although Sakuma is a dangerous person who had also broken out of jail in Aomori, he submits to Urata who is the only person who had treated him kindly in the past. However, three months after escaping from jail, Sakuma shows up at Urata’s house. He has come to complain about the inhumane Akita prison officers. But he is locked up again after Urata notifies the police during an unguarded moment. A year later, Sakuma is sent to Abashiri Prison and Urata is also ordered to transfer as the prison’s chief warden.
Beautiful wife and expectant mother Lola Winters (Sherilyn Allen) seems to have it all—the big house, a dashing husband Leo Winters (Jamall Johnson), and a thriving restaurant business. But Lola’s seemingly perfect life is interrupted when a ghost from the past Tori (LeToya Luckett) suddenly shows up at her doorstep in search of her husband Leo, after having gone missing for 5 years and being declared dead. Tensions rise and lives are turned upside down as Tori’s unexpected return leaves everyone questioning her motives and why she hasn’t gone to the police. Determined to start a new life, Tori demands that the Winters pay her hundreds of thousands of dollars, but before leaving town a bombshell revelation exposes even more dark and shocking secrets.
Frans Laarmans temporarily abandons his job as an office worker to become a salesman for a big cheese company.
At a Swedish company with international contacts, a bestial murder is committed. The murdered person has been employed by the company - everything indicates that the chairman of the board is guilty.
A parody on what actually happens at gym schools, of course it's a bit over the top. Trying to help parents see that in trying to help their child, they may actually do harm to them.
In 1987, Ricardo is 17 years old. This summer, Ricardo has a busy schedule: loose his virginity, find a way to get into bars, have a car, spend time with his friends. In order to rapidly make money, Ricardo decides to use his italian inheritance and take a shortcut in the medium of crime. But things will go wrong...
16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi.