The Craving

Amanda, a beautiful American girl is soon to be married to Andrea Orsomandi, a wealthy nobleman who lives in an extravagant Gothic mansion. However there exists something dark, sinister and supernatural within the walls of the mansion. It seems that Andrea has been driven to madness and is a victim of the evil contained within the house. It soon transpires that he is involved in black magic, perverse rituals and serial killings with the aid of his sadistic henchman and gardener Giovanni. Killing prostitutes in order to exorcise this Evil. Now the demonic forces set out to possess Amanda,take her soul and turn her into another victim of the mansion.

Sexually abused as a child by her step-father, Kyoko is now an adult who lives with three other roommates, one of them a lesbian who's attracted to her. Amidst misunderstandings and more abuse at the hands of her mother, Kyoko is faced with a wave of murders, her mental state worsening.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

After years of separation, Irena Gallier and her minister brother, Paul, reunite in New Orleans. When zoologists capture a wild panther, Irena is drawn to the cat – and zoo curator Oliver to her. Soon, Paul will have to reveal the family secret: that when sexually aroused, they revert into predatory jungle cats.

A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

A horror writer buys an odd looking mutant embryo creature, pickled in a jar, from a shop in Chinatown, hoping it will be a creative inspiration for his work. Instead, the odd mutation provokes a rage of violence and lust to envelop the suburban villa where the writer lives with his wife and sexy secretary.

The youngsters Folcacchio and Guffardo must bring an embassy to the Bishop of Volterra, and during the trip, the two boys meet the beautiful Gemmata. The woman is a poor peasant who is married to Nicholas. Folcacchio and Guffardo, to have a night of love with the girl, pretends to be magicians who can turn humans into beasts.

Self-absorbed and stressed-out yuppie Robert is so caught up with his thankless office job that he neglects his lovely young wife Doris. The sad, unhappy, and frustrated Doris seeks some form of relief and sexual fulfillment from both a lusty lady ghost and two equally voracious female demons.

Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?