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**_Through the woods to Grandmother's house we go_** A young woman (Lesleh Donaldson) ventures to the rural Northeast to stay with her grandmother (Kay Hawtrey) at an old home that used to be a funeral parlor. As they work on morphing it into a bed-and-breakfast, she attends to the needs of the sometimes obnoxious guests while dating a young man. But something really weird is going on, particularly in the locked basement. Shot in the dead of summer, 1979, “Funeral Home” is also known as “Cries in the Night.” It cost $1,400,000 in Canadian dollars, which would be equal to about $5,050,000 today. I point this out because that’s more than enough money to make a competent movie of this sort. Thankfully, it is proficiently made. You buy the people and their situation as a real in the manner of “Squirm” from four years earlier. Speaking of comparisons, it starts out very similar “Friday the 13th,” which is strange since this film started shooting five weeks before that way more popular one. However, it’s mostly a variation on “Psycho” with the classic Little Red Riding Hood setup. It’s similar to Tobe Hooper's “Eaten Alive,” but superior. “Mountaintop Motel Massacre” from three years later was obviously influenced by it. Lesleh is winsome as the brunette protagonist, but she’s strapped with dubious apparel. The sets, décor and costumes all have a curiously aged look. Nevertheless, the flick establishes a nice mood with the rural funeral home milieu, not to mention the nearby quarry, and strangely keeps your interest, plus I like the bit with the black cat. It runs 1 hour, 33 minutes, and was shot in the Toronto area in the outskirts of Markham (house), Elora (the town and quarry), Guelph and Lakeshore Studio near the city. GRADE: B-
Roar follows a family who are attacked by various African animals at the secluded home of their keeper.
When Jennifer goes to investigate a strange noise in her house, she finds a familiar face who is not all that they seem.
A mad housewife tries killing her noxious husband on Christmas Eve. The problem comes, however, when her pesky husband just won't stay dead!
Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning.
Phil, a Vietnam War veteran and aspiring performer, stumbles upon a chest containing the spirit of a medieval jester and killer known as Chicot. After his death, Phil’s family is left to deal with the evil presence that haunted him, and the revelation of the terror caused by their beloved patriarch.
Natalie is a tired and unkempt student who works as a radio station host for the tacky KFDL 106 FM radio station. Working the night shift on Halloween, she answers endless calls from her listeners searching for the perfect Halloween horror story, but none of their dull stories seem to interest her. Eventually, a fateful call is answered, and a sinister voice fills the airwaves with a blood-curdling story about a girl being stalked as she walks home at night. But Natalie’s interest soon turns to dread, as she realises that this caller knows more about her than she’d like them to know. As Natalie becomes more determined to stop this caller in his tracks it becomes evident that not everything may be as it seems. Why is Natalie so adamant to stop him from finishing his story? How does he keep calling back? And what will happen when the caller loses his patience...
The “Summer Camp” horror trilogy was one of the most popular franchises of the 1980s. However, the decade ended and so did director Julian Barrett’s career. Now Barrett plans to resurrect his gory series via a modern reboot patterned after reality filmmaking. With his former leading lady and an eclectic group of 10 young “contestants,” Barrett returns to the same locale where his old splatter-fests were filmed. When one of the campers is found savagely murdered, they realize there’s more at stake than just fame and fortune. Each of them is in a fight for their lives as they realize summer is over – forever.
Indie doc crew travels to a small town to document a bizarre and seemingly unnatural case, ending in extreme tragedy.
Mysterious deaths befall on employees of a VR-tech company. There's an unprecedented fear waiting between reality and the virtual world.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
Working-class British housewife Myra Savage reinvents herself as a medium, holding seances in the sitting room of her home with the hidden assistance of her under-employed, asthmatic husband, Billy. In an attempt to enhance her credibility as a psychic, Myra hatches an elaborate, ill-conceived plot to kidnap a wealthy couple's young daughter so that she can then help the police "find" the missing girl.