We Are George Floyd

Profiled is a feature length documentary that knits the stories of mothers of Black and Latin unarmed youth murdered by the NYPD into a powerful indictment of racial profiling and police brutality, and places them within a historical context of the roots of racism in the U.S. Driven by anger when their demands for justice are ignored the women transition from grieving parents to activists participating in the grass roots movement now spreading across the country since the much-publicized deaths of Michael Brown and Eric Garner.

On 19 March 1966, a photo exhibition about the police intervention during the wedding of Beatrix and Claus opened in Amsterdam. After the opening, filmmaker Louis van Gasteren filmed how, in the distance, policemen began beating up a young man, seemingly without any provocation. This footage was shown that same evening on television. Van Gasteren interviewed the victim, a 22-year-old student, who declared that he was walking in that direction because his ‘bicycle was there’. That became the title of this short film, in which Van Gasteren used slow motion to analyse the objectionable actions taken by the police.

The story of Estelle Ishigo, one of the few Caucasians interned with Japanese Americans during World War II. The wife of a Japanese American, Ishigo refused to be separated from her husband and was interned along with him. Based on the personal papers of Estelle Ishigo and her novel Lone Heart Mountain.

Sarah Kamya is a school counselor in New York City. She began the project Little Diverse Libraries on June 3rd and has already raised over $13,000, supported black owned bookstores, and has distributed 775 books to Little Free Libraries across all 50 states. Sarah is helping educate communities while most importantly amplifying and empowering black voices.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.

A historic three-day race riot erupted in two African American neighborhoods in the northern, mid-sized city of Rochester, New York. On the night of July 24, 1964, frustration and resentment brought on by institutional racism, overcrowding, lack of job opportunity and police dog attacks exploded in racial violence that brought Rochester to its knees. Combines historic archival footage, news reports, and interviews with witnesses and participants to dig deeply into the causes and effects of the historic disturbance.

In 1978 the police attacked demonstrators at the Sydney (Australia) Mardi Gras celebrations. This film details the communities' responses.

This film shines a light on a sorry and oft-forgotten chapter in US history— the forced sterilization of 7,600 people thought to have “undesirable” genetic make-ups. The film follows researchers & journalists who delved into dusty archives to bring North Carolina’s extensive eugenics program into the sunlight. When the journalists succeed in connecting those files to living survivors and the vast network of perpetrators are revealed, a grassroots movement begins, tirelessly insisting the state confront its nefarious past. The documentary— four years in the making, brings into focus the human tragedy that unfolded behind closed doors for decades and gives voice to survivors who believed their poverty would leave their stories untold and their pain unrecognized.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?