The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The special effects are great, the scenery and photography is lovely but the film is as a whole a big disappointment. You would have thought that with such a budget they could have hired some guy to make a basic sanity check of the script but obviously that wasn’t in the budget for this one. I do not know if a lot of Hollywood people are idiots or think the audience are idiots or both but for Christ sake, how difficult can it be to come up with a plot that holds together and are at least half believable? A trillion dollar expedition to discover the “makers of mankind” and they put together a band of asocial morons for crew where not even the scientists among them seems to have met each other before the wake up millions of miles from Earth. Almost everyone behaves in a completely unbelievable way. Yeah, it looks okay so let’s remove the helmets for instance? Right, apart from the immediate danger to your own health, what about quarantine procedures…idiots? Why did the robot put the mutagen in the drink? It’s just illogical and never really adequately explained. Speaking of robots, robots have a power source and it’s not spread all over them. If you rip their head of they do not continue to talk like nothing had happened. In the original Alien they at least had to hook him up to something. It goes on. The entire film is just a jumble of illogical acts one after another. Then we have the ending. What a joke. Apart from the fact that Elizabeth’s actions are just ridiculous, how does she expect to live on a alien ship without food or any other supplies? This film had good promise. The idea of getting to know the origin of the aliens intrigued me and the basic plot idea was cool. However, the film was really ruined by a script obviously written by total morons.
Although this is not a great movie, I was positively surprised, given the tons of bad references I got from this movie. The background story is interesting and the cast is quite decent. Theron and Elba played well but specially remarkable are Rapace and Fassbender. In any case, it does have many flaws in the script. Several characters are stupid beyond comprehension, several things are completely unexplained, Pearce character is really bad and the crashing of the alien spaceship is just ridiculous, as it is the killing of Theron's character. In any case, it doesn't leave a bad after taste and I am looking forward to the continuation of the story.
Looks good, but feels a bit hollow to me. 'Prometheus' - which serves as a (loose) prequel to 'Alien' - didn't excite me and I didn't feel like I got anything from it. It's still a good film and it is a pleasant looking one at that, with neat special effects et al. I also like the casting for this 2012 release. Noomi Rapace is probably the film's standout, though Michael Fassbender, Guy Pearce, Charlize Theron and Idris Elba are also involved - the latter two feel a bit underused, we get a fair bit of them both but still I wanted to watch them more - especially Theron, who feels a bit tacked on.
What? Seriously...WHAT?! I don't understand what I watched. Alien was a monster movie in space. It was a great movie, it was scary and you could taste the tension....but it was just a monster movie in outer space. It was really just a merger of horror and science fiction. Aliens was a fun movie. But it was just Space Marines v Monsters. It was just a merger of action and science fiction. We can go on and on and on but, I think Scott is buying the fanboys that are reading too deeply into the Alien franchise. It's not "Chinatown" it's just the Alien movies. Prometheus was just too much for the franchise, FAR TOO MUCH. Watching it felt like that moment when you realize that the top came off of the salt shaker and now you're going to have to just bare threw the mess bite by bite. There was so much that, in the end, there wasn't really anything at all. Everything that was good about Alien and Aliens was totally forgotten here and you were left with, well, pretentious ramblings. This is a monster movie that thinks it's "Taxi Driver." It's putting on airs and you can see straight through it.
Good Sci-fi 👍🏾 Finding a map left by our creators and then following it lightyears away for the search of the meaning of life, and immortality... Forget the horror part of the film, that plot alone had me fully immersed. _I watch this one at least twice a year. _
Follows greatly the Hero with a Thousand Faces, very well executed. Probably the best science-fiction ever made, along Kubrick's Space Odyssey 2001, where you can actually learn something about true **technology**. Well done for those who can see. We need more!
Isn't "Elizabeth Shaw" the woman who makes the Christmas mints? Anyway, here she's been persuaded by "Meredith" (Charlize Theron) to diversify into the intergalactic travel game with a trip aboard the eponymous science vessel. She (Noomi Rapace) is travelling with her boyfriend "Charlie" (Logan Marshall-Green) to a remote moon where there might be the glimmer of a clue as to the origins of not just our species, but of life in general. Their team, augmented by the android "David" (Michael Fassbender) arrive on LV-223 to discover clear evidence of a civilisation - well of engineering effort, anyway. Thing is though - has anything survived in the bleak and hostile environment and if it has - is it friend or foe. Now the visual effects are excellent across the board; the use of darkness, shadow, intermittent light and some marvellous creativity from Neal Scanlan and Conor O'Sullivan really do make this at times a menacing and compelling adventure to watch. Sadly though, it all takes far too long to get going, it recycles a little too much from it's parent film ("Alien") and there's just far too much chatter cluttering up the closing stages. The acting is competent, no more, and it could easily lose twenty minutes of preamble and ramble and just focus on the "can they survive" bit. This has got to be seen on a big screen. The 70mm print I saw showcases what this film is really about - a scary looking sci-fi horror that we've all seen in some guise before, but maybe not quite this technically proficient. Is it a reboot or a reimagining? I'm not sure we really needed either.
Radio psychologist Jack Black takes his children Joshua and Ashley on a 'vacation' to a lake in British Columbia. While he grinds away at work the children discover that the famous local lake monster "Orky" may not be just a gimmick to attract tourists after all. In fact, Orky may enable them to get closer to their workaholic dad, and help stop local polluters who are dumping toxic waste.
A one-track-minded teen stumbles into something out of this world while searching for condoms in his girlfriend's brother's car.
Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.
A pair of space rangers must rescue the Princess of Earth from the ultimate villain after receiving an urgent plea for help.
A team of American astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.
Two aliens who crash on Earth must find a buried weapon that will destroy the planet and their own society if not stopped.
In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.
A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.
In a cheap motel near Peckham California, a maid discovers a man's corpse in one of the rooms. The dead man, Professor Grabowski, is associated with the Brandt Research center, and an autopsy reveals he died of a massive coronary during sexual intercourse. Another similar death is discovered almost immediately, this time a younger man. This causes the federal government to send in Agent Neil Agar (William Smith) to get to the bottom of things. The socially distant Dr. Susan Harris (Anitra Ford), who is in charge of some mysterious research in bee culture, becomes a key suspect for Agar.Agar manages to piece the puzzle together himself, but before he can apprehend Dr. Harris, she lures Julie into her lab and begins the transformation process on her. Agar arrives in time to stop the procedure, firing a bullet into Harris's machine and breaking it. The lab begins to explode, and the bee girls slowly die, including Dr. Harris. The film ends as Agar and Julie begin a romantic interlude.
On the planet Vortis, the Doctor and his companions aid the butterfly-like Menoptra in their battle against the parasitic Animus and its mind-controlled minions, the ant-like Zarbi.