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Cobweb taps into well worn horror concepts and delivers something a little different but hardly surprising. We all know from the get go, what Cobweb represents in broad terms. A tale of a child, locked away by its parents, because its different and more than a little, sinister. Stepping beyond the predictable, is a few tweaks that set this horror film apart. Mostly, in a good way. Cleverly re-working aspects of a classic premise, pays dividends in terms of scares and a surprising reveal. What doesn't work so well, is the family dynamic. We all knows its dysfunctional. The fact its so coldly, over stated, feels oppressive. Injecting a little more genuine warmth, into the family's interactions, would have heightened the impact, of the horror, that inevitably unfolds. Acting is decent, especially given the young age of some cast members. Only thing I'm not so sure about is why the voice over for the sister character, ends up sounding like Marge Simpsons, spinster sisters? In summary, enough that's new, grafted onto a well established horror premise, to make this film a success. Somewhat let down, by heavy handling, surrounding the family dynamic.
Woody Norman is quite good in this otherwise rather routine horror movie. He is only eight years old when he suddenly starts hearing noises coming from the walls of their old wooden house. His parents initially try to assuage his concerns but when his well-meaning teacher "Miss Divine" (Cleopatra Coleman) shows them a drawing he made at school, the atmosphere at home becomes distinctly frosty. When the knocking noises become a girl's voice - and this voice starts to encourage him to stand up for himself a bit more, we soon realise that nothing in this house is as he thought. There are secrets galore! The last twenty minutes are certainly the highlight, but original they are not. We have seen the use of these effects all too frequently and though just deserts were handed out enjoyably for a few moments, there just wasn't much by way of jeopardy and the only screaming I heard was of the word sequel. It is difficult to reinvent the wheel; being innovative with this genre is tough. This doesn't not make the grade on that front and is, sadly, really only for Halloween television as it is much of a muchness.
I found it to be a bit boring. 2/3 into the movie, things finally start to happen! Up til then, I found Lizzy Caplan's performance wooden and stiff, and the same for Antony Starr. Woody Norman and Cleopatra Coleman were good, the story is decent enough, but it was all I could do to endure the odd performances to reach the anti-climactic ending. The few scares were old formulas. Sad effort.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Jeremy, a local police officer leads a life of a confusing past, spending his current time searching for his kidnapper as a child. After other children begin missing, Jeremy pieces together the truth and realizes that his childhood kidnapper could be a creature of ancient yuletide lore, Krampus, who is the brother of St. Nick, and punisher of children who perform acts of unspeakable evil without repercussion. Can Jeremy kill Krampus and prevent more missing children?
It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
During the 2020 pandemic, a group of friends spend Halloween messing around with a Ouija Board over Zoom. But with the world online, making a connection has never been easier.
Arthur and his two children inherit his uncle's estate: a glass house that serves as a prison to twelve ghosts. When the family, accompanied by a nanny and an attorney, enter the house they find themselves trapped inside an evil machine 'designed by the Devil and powered by the dead' to open the Eye of Hell. Aided by a ghost hunter and his rival, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
An inventor creates an electrical torch that reveals a hidden world layered upon our own - filled with beautiful spirits, strange creatures, and dangerous phantoms.
Mickey is challenged by his nephews to tell a scary story on Halloween night, but his stories are mostly fun and silly, until he is finally pushed to tell a truly terrifying tale.
In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.